2013 Postgraduate Certificate for Teaching, Learning and
Assessment in Higher Education, University of Dundee, UK.
2012 Doctor of Philosophy, University of Dundee, UK.
2006-2011 Practice-led PhD Research at Duncan of Jordanstone College of
Art and Design, University of Dundee, UK.
1994 Diplom Bildende Kunst, HFBK, Hamburg
1990–1994 Bildende Kunst, HFBK,Hamburg
1987–1990 Malerei, Akademie der Künste, München

Seit 2017 wissenschaftliche Mitarbeiterin der  Zürcher Hochschule der Künste.
Seit 2016 Jurymitglied Norwegian Programme for Artistic Research.
Seit 2015 Advisor for the Research Journal APRJA: (
2015 Visiting Researcher (post-doc), Department for Digital Design and
Information Studies, Århus University, Denmark.
2016 Associate researcher in the Department Art&Media, Duncan of
Jordanstone College of Art and Design, University of Dundee.
Seit 2015 Wikipedia Editor (Women-edit group Berlin)
2012-15 Lecturer and researcher in the department Art&Media, Duncan of
Jordanstone College of Art and Design, University of Dundee.
2013 Visiting Professor at University of the Arts, Zurich, CH.
2013 Member of programme selection committee ISEA 2014, Dubai.
2012 Initiator of Knowledge Leaks, interdisciplinary research training
2010/11 Jury member, Digital Art and Culture, Vienna, A.
2009-2012 Artist Researcher, European Institute for Progressive Cultural
Policies, Creating Worlds. The Relationship of Art Production and
Knowledge Production, funded by WWTF, Vienna Science and
Technology Fund, A.
2004/5 Jury member,, ars electronica, Linz, A.
2004 Visiting Professor at Bauhaus University Weimar, DE.
2000/03 Visiting lecturer at Leuphana University Lüneburg, DE.
2001 Visiting lecturer at University of Oldenburg, DE.
1997-2001 Organiser of three international conferences on Cyberfeminism in
Kassel (documenta x), Rotterdam (next5minutes) and Hamburg.
1998/1999 Visiting lecturer at the University of Fine Arts Hamburg, DE.
Seit 1996 professionelle Künstlerin und Autorin
1995–1996 Multimedia Product Manager (Philips Media Germany).

2016 Hacking Social Reality, theatre/performance as part of the series
„Community in Progress“ at Theatre Basel (CH); director: Kevin
2013/14 Giving What You Don’t Have (GWYDH). Artistic research project
on art and commons. (Leuphana University/ Post-media Lab).
2006-2009 THE THING Hamburg. Platform for art and criticism.
2005–2006 TammTamm – Artists informing Politicians. Net-based
collaborative intervention.
Seit 2004 [echo] Mailing list for art, critique and cultural policies in Hamburg
(aktuell über 1,650 Subscriber).
1997–2001 Old Boys Network. International Cyberfeminist Alliance.
1993–1996 Women artist group »-Innen«. Founding member.
1992 Women artist group »frauen-und-technik« (»Women and
Technology«). Founding member. Contribution to ‘documenta’ art
television project Piazza Virtuale, together with van-Gogh TV.

2016/17 À la recherche de l’information perdue, performance, Bergen
Kunsthall Landmark, Bergen, NO, and ICA London (UK).
2015 Dress of Distress (Twitter dress)
2010 Another Originality. RFID-based authentication method of
2009 Differential Images. Image marking system, in collaboration with
Fraunhofer Institut for Secure Information Technology.
2009 DÉJÀVU®. First Plagiarism Detection Software for Fine Arts.
Speculative software.
2008 TroubleShooting. Shooting performance. Part of the series
‘Revisiting Feminist Art,’ Academy of the Arts, Berlin, DE. 2007
nag art machine. Networked sculpture (ZKM Media Art
2007 The Maximally One-Off and its Transformation into Similarity.
Video, 20 min.Since
2007 Stock image agency for art reproductions.
2006 (1968) I DON’T KNOW. Conversation between Cornelia Sollfrank and
Andy Warhol. Video, 15 min.
2006 Spring in Paris. Video, 6 min. Part of the series ‘Revisiting
Feminist Art.’
2006 Le chien ne va plus, performance, part of the series ‘Revisiting
Feminist Art Phoenix shopping mall, Hamburg-Harburg, DE.
2004 Automatically Generated Authorship. Radio play. ORF Art Radio
commission, Vienna, A.
Cornelia SOLLFRANK, CV, JANUARY 2018 3
2004 Legal Perspective. Four-channel video installation.
2004 copyright © 2004 cornelia sollfrank. Video lecture, 45 min.
Since 2004 anonymous-warhol_flowers. Networked images. Prints, various
2001/11 Improved Tele-vision. Web-based Conceptual Music Project,
Installation (Espace Multimédia Gantner, CH).
2000 Have code, will destroy, interview with a woman hacker. Video,
1997 Female Extension. Intervention. Kunsthalle Hamburg, DE.
Since 1997 generator, generative computer software.
1996 Remote Viewing, Ars Electronica, Linz, A.
1994 information art, University of the Arts, Hamburg, DE.

2017 Commons Lab, Studio XX, Montréal, CAN.
2012 This is not by me. Visual Research Centre, Dundee, UK.
2009 Unlimited Edition. Mejan Labs, Stockholm, SE.
Calculemus – Lasst uns rechnen (Let’s calculate!). Diplomatic
mission of Lower Saxony, Berlin, DE.
2009 Originale und andere Fälschungen (Originals and other Fakes).
Edith Russ Site for Media Art, Oldenburg, DE (cat.).
2007 MuseumShop. Märkisches Museum Witten (cat.).
2006 This is not by me. Kunstverein Hildesheim, DE.
This is not by me. Mag:net Gallery, Manila, Phillipines.
2004 Legal Perspective. [] Forum für Neue Medien, Basel, CH.
2001 Networked Reality. Galleri 21, Malmö, SE.
2000 Liquid Hacking Laboratory. Kunstverein Nuremberg, DE (cat.).

2017 Multiple Future, Yebisu International Festival for Art & Alternative
Visions, Tokyo, JP.
2017 Netzkunst im Berlin der 1990er Jahre., Berlin.
2016 in_SUBJECT, Taipeh Digital Arts Festival, TW.
Cornelia SOLLFRANK, CV, JANUARY 2018 4
2015 Porn to Pizza. Domestic Clichés, DAM Gallery, Berlin, DE.
2014 Hipster und Hamster. Zur Konsumästhetik des
Mobiltelefons, Museum for Applied Arts, Frankfurt, DE.
2014 Public Library – Rethinking the infrastructures of knowledge
production, Württembergischer Kunstverein Stuttgart, DE.
Coded After Ada Lovelace, Hannah McLure Centre, Neon Festival
for Digital Culture, Dundee, UK.
2013 re.act.feminism #2 – a performing archive. Akademie der Künste,
Berlin, DE.
Video Vortex #9, Leuphana University, Lüneburg, DE.
Tools of Distorted Creativity, transmediale – Fesitval for media art
and digital culture, Berlin, DE.
Curated by Law, Akademie Schloss Solitude, Stuttgart, DE.
2012 re.act.feminism #2 – a performing archive. Fundació Antoni
Tàpies in Barcelona, ES.
Sound Art. Sound as Medium of Art. ZKM Media Museum,
Karlsruhe, DE.
Megacool 4.0. Youth and Art. Künstlerhaus, Vienna, A.
re.act.feminism #2–a performing archive.Wyspa Institute of Art in
Gdansk, PL
International Biennial of Contemporary Graphic Art, Novosibirsk
State Art Museum, Novosibirsk, RU.
2011 The Art of Hacking. Netherland’s Media Art Institute, Amsterdam,
Identités précaires, Jeu de Paume, Espace Virtuel, Paris
REVERSE, Festival of Contemporary Art, Gallery “Z”, Bratislava,
2010 Cultures(s) of the Copy, Edith-Ruß-Haus für Medienkunst,
Oldenburg, DE.
Dog is my Co-pilot, Spinderihallerne i Vejle, Denmark
REVERSE, Kunstmuseum, Omsk, RU.
[SHupS] Shanghai-Hamburg (urban public) Space, Shanghai
Inter-Cool 3.0, HMKV Dortmund, DE.
Cultures(s) of the Copy, Goethe Institut, Hongkong.
Old News, Center for Contemporary Art CCA, Lagos, NI.
Agents&Provocateurs, HMKV, Medienkunstverein, Dortmund, DE.
2009 Agents&Provocateurs, Institute of Contemporary Art –
Dunaújváros, HU.
2008 re.act.feminism. performancekunst der 1960er und 70er jahre
heute, Akademie der Künste Berlin, Berlin, DE.
Anna Kournikova Deleted by Memeright Trusted System,
Hartware MedienKunstVerein, Dortmund (Kat./ cat.)
Kunstmaschinen Maschinenkunst, Museum Tinguely, Basel/ Bale
(Kat./ cat.)
Cornelia SOLLFRANK, CV, JANUARY 2018 5
2007 Kunstmaschinen Maschinenkunst, Schirn Kunsthalle, Frankfurt
(Kat./ cat.)
2007 Access. Shift Festival, Basel/ Basle, CH.
Copieren und Verfälschen, Künstlerhaus FRISE, Hamburg
2006 Cyberfem. Feminisms on the Electronic Landscape, Espai d’Art
Contemporani de Castelló, Castelló , ES.
International Meeting on Feminisms and Activisms, Francesca
Bonnemaison Centre, Barcelona, ES.
Arbeit*, Lewis Glucksman Gallery, Cork (Kat./ cat.)
2005 Connessioni leggendarie, National Library Braidense, Mailand /
Milano (Kat./ cat.), I.
cut-copy-paste, Cultural Center »La Vénerie«, Brüssel / Brusseles,
2005 Storyrooms – Networks, Narratives and Installations, Museum of
Science and Industry, Manchester (Kat./ cat.), UK.
Rhizome, ArtBase 101, New Museum, New York, USA.
Changing Territories, Knabstrup Kulturfabrik, Kopenhagen /
Copenhagen (Kat./ cat.), DN.
Arbeit*, Galerie im Taxispalais, Innsbruck (Kat./ cat.), A.
2004 City of Women, Festival, Ljubljana, SI.
2004 Subduktive Massnahmen, ZBO-SdM052004, Bundeskunsthalle,
Bonn und / and Barbarastollen (Kat./ cat.), DE.
Public Library, Wizards of OS Conference, Congresszentrum am
Alexanderplatz, Berlin, DE.
vir_users + mis_users, Museo Nacional Centro de Arte Reina
Sofia, Madrid
2003 Habitar en (Punto)net, Espai F, Matar, Barcelona, ES.
Generator, Minories Art Gallery, Colchester, Essex, UK.
2002 Generator, Spacex Gallery, Exeter und / and Liverpool Biennial,
2001 Cross Female – Metaphores of the Female in the Art of the 90’s,
Kunst- und Kunstgewerbeverein Pforzheim, Pforzheim (Kat./ cat.),
Künstlerbilder, Galerie Mesaoo Wrede, Hamburg, DE.
Cynet Art, Projekttheater, Dresden (Kat./ cat.)
Observatori, Media Art Festival, Valencia (Kat./ cat.)
Cyberfem Spirit, Edith-Ruß-Haus für Medienkunst, Oldenburg
(Kat./ cat.)
2000 Tenacity – Cultural Practices in the Age of Global Information- and
Biotechnologies, Swiss Institute, New York und / and Shedhalle,
Zürich / Zurich, CH.
UFO Strategies, Edith-Ruß-Haus für Medienkunst, Oldenburg
(Kat./ cat.)
Real Work, 4. Werkleitz Biennale, Werkleitz (Kat./ cat.), DE.
Cornelia SOLLFRANK, CV, JANUARY 2018 6
2000 Cross Female – Metaphern des Weiblichen in der Kunst der 90er
Jahre, Künstlerhaus Bethanien, Berlin (Kat./ cat.), DE.
terr@media – Game Patching and Hacking Sublime, Fournos,
Center for the Art, Athens, GR.
2000 LA Freewaves – Festival of Experimental Media Arts, Los
Angeles, USA.

2017 The Surplus of Sharing Books: Building a Feminist Library Online,
Studio XX, Montréal, CAN.
2017 Unlock: Gendered Experience of Technology, Studio XX,
Montréal, CAN.
2017 Writing the Timeline. Tracing Information Society, ngbk, Berlin.
2016 Preserving and Distributing Knowledge as Artistic Practice, Taipeh
Digital Arts Festival, TW.
2016 Art and Digital Commons, Geneva School of Art and Design (CH).
2015 Commoning the Networks. A Feminist Methology, ‘transmediale’
Festival for Art and Digital Culture, House of the Cultures of the
World, Berlin, together with Penny Travlou and Sophia Lycouris.
2015 CP COMMONS COMMONS-COPY,’Supercopy’ Festival,
2015 If Art Were a Commons, ‚Dundee Commons Festival,‘ Dundee
2014 If Art Were a Commons, ‚Public Library,‘ Württembergischer
Kunstverein Stuttgart.
2013 Giving What You Don’t Have, Furtherfield Gallery London (UK).
2012 Knowledge Leaks, ‘The Interview,’ research training for PhD
students, Duncan of Jordanstone College for Art and Design,
University of Dundee (UK), together with Kathrin Wildner.
2012 Knowledge Leaks, ‘The Interview,’ research training for PhD
students, Academy of Fine Arts, Barcelona (ES), together with
Kathrin Wildner.
2011 Knowledge Leaks, ‘The Interview,’ research training for PhD
students, Center for Art/Knowledge, Academy of Fine Arts, Vienna
(A), together with Kathrin Wildner.
2008 Sharing Strategies–Processing the Copy, Arteleku San Sebastian
2008 Sharing Strategies–Processing the Copy, Carl-von-OssietzkyUniversität, Oldenburg.
2003 Sounds Tactical, ‘transmediale‘ Festival for Art and Digital Culture,
Podewil, Berlin, together with Laurence Rassel.

Since 2000 Cornelia Sollfrank has been invited to give more than 80 lectures all
over the world at conferences, festivals and expert panels, most recently at Concordia
Cornelia SOLLFRANK, CV, JANUARY 2018 7
University, Montréal (CAN); McGill University, Montréal (CAN); Tokyo Photographic Art
Museum (JP); Hamburger Bahnhof, Museum für Gegenwart, Berlin; Taipeh Digital Arts
Festival (TW); re:publica Festival, Berlin; Liverpool John Moores University; University of
Adger, Kristiansand (NO); House of Electronic Arts Basel (CH); DAM Gallery Berlin; Film
University Potsdam (DE), Academy of Media Arts Cologne (khm); transmediale – Festival
for Art and Digital Culture, Berlin; Commons Festival, Dundee (UK); Centre for
Contemporary Art (CCA) Glasgow (UK); Philipps-Universität Marburg, Whitechapel
Gallery London; Visual Research Centre, University of Dundee; Public Library
Birmingham; Museum Jeu de Paume Paris (F); Kunstverein Stuttgart (DE); Goethe
Institut Moscow, University of the Arts Berlin; Leuphana University Lüneburg; House of
the Cultures of the World Berlin; Akademie Schloss Solitude Stuttgart (DE); Lucerne
University of Applied Sciences and Arts; Coventry University Enterprises; Vilèm Flusser
Archive Berlin; Leuphana University Lüneburg; Goethe Institut Washington D.C.;
Akademie der Künste, Berlin.
Since 2000 Cornelia Sollfrank has given artist talks and presentations of her work at
more than 20 art schools/ colleges/ universities all over the world including, Zayed
University Dubai, University of Southern California (USC), Los Angeles; Scripps College,
Vermont/Los Angeles, USA; CalArts, Californian Institute of the Arts, Valencia/ Los
Angeles; Art Academy, Reykjavik; School of Art and Communication, University of
Malmoe; Art Academy, Malmoe; Salford University, Manchester; Trent University

2018 (upcoming) Cornelia Sollfrank, »Gender and Technology Trouble,« in:
Eric Kluitenberg and David Garcia (Eds.), Tactical Media Anthology, MIT
Press, Cambridge.
2017 Cornelia Sollfrank, »Revisiting the Future. Cyberfeminism in the TwentyFirst Century,« in: across & beyond – A transmediale Reader on Postdigital Practices, Concepts and Institutions, eds. Ryan Bishop, Kristoffer
Gansing, Jussi Parikka, Elvia Wilk. Berlin, 2016, Sternberg Press
(pp. 228-247).
2016 Cornelia Sollfrank, »Post-IP Aesthetics. Kunst und ihre veränderte Rolle
in der Knowledge Economy,« in: Sandra Frimmel, Mare Traumane (Eds.),
Kunst vor Gericht, Verlag Matthes & Seitz Berlin.
2016 Cornelia Sollfrank, »A Pervert’s Guide to Artistic Research« in: Judith
Siegmund (Ed.), Wie verändert sich Kunst, wenn man sie als Forschung
versteht?, Transcript- Verlag, Bielefeld.
2015 Cornelia Sollfrank, »Internet« in: Jens Badura, Selma Dubach, Anke
Haarmann, Dieter Mersch, Anton Rez, Christoph Schenker, Germán Toro
Pérez (Eds.), Künstlerische Forschung. Ein Handbuch, diaphanes,
2015 Cornelia Sollfrank, »Nothing New Needs to be Created. Kenneth
Goldsmith’s Claim to Uncreativity,« in: Melanie Bühler, Goethe Institut
Washington (Eds.), No Internet – No Art. A Lunch Byte Anthology,
Onomatopee, Eindhoven.
Cornelia SOLLFRANK, CV, JANUARY 2018 8
2014 Cornelia Sollfrank, »THE THING Hamburg: A Temporary Democratization
of the Local Art Field,« in: Bill Balaskas (Ed.), Red Art, Leonardo
Electronic Almanac, January 2014: V.10 N.01, USA, ISSN: 1071-4391.
2014 Cornelia Sollfrank, »Originale und andere unethische Autorinnenschaften
in der Kunst« in: Valie Djordjevic und Leonhard Dobusch (Eds.),
Generation Remix, iRights Media, Berlin.
2013 Cornelia Sollfrank, »Giving What You Don’t Have« in: Joss Hands, Greg
Elmer and Ganaele Langlois (Eds.), “Platform Politics,” Culture Machine,
2012 Cornelia Sollfrank, »Copyright Cowboys Performing the Law,« in: Joshua
Rosenstock (Ed.), Found, Sampled, Stolen, MediaN – Journal of the New
Media Caucus, FALL 2012: V.08 N.02, USA, ISSN: 1942-017X.
2009 Cornelia Sollfrank, »Das Genie und die Medienindustrie,« in: Odin
Kröger, Günther Friesinger, Paul Lohberger, Eberhard Ortland und
Thomas Ballhausen (Hrsg./eds.), Geistiges Eigentum als
Kontrollmechanismus immaterialler Produktion, Turia + Kant,
Wien, 2009.

2009 Expanded Original, Cornelia Sollfrank.
Sabine Himmelsbach (Ed.), texts by Gerald Raunig, Jacob Lillemose,
Rahel Puffert, Silke Wenk, Hatje-Cantz Verlag, Ostfildern, DE.
2004 generator, Cornelia Sollfrank.
Annette Schindler (Ed.), texts by Florian Cramer, Ute Vorkoeper,
Sarah Cook, Verena Kuni, Verlag für moderne Kunst Nürnberg, DE.

2012 Leuphana University Lüneburg, research grant for the project
Giving What You Don’t Have.
2009-12 Vienna Science and Technology Fund Research (WWTF) for the
project Creating Worlds – The Relationship of Art Production and
Knowledge Production in collaboration with the European Institute for
Progressive Cultural Policies (position: artist researcher).
2008 Scholarship of the Foundation of Lower Saxony for Media Art, including a
residency at the Edith Russ Site for Media Art, Oldenburg, DE.
1999 Artist scholarship of the city of Hamburg, DE.
1998 Artist scholarship of the city of Berlin, DE.
1996/97 DAAD, German Academic Exchange Residency Scholarship, New York
City, USA.

ZKM, Media Art Museum, Karlsruhe, DE;
Espace Multimédia Gantner, Belfort, F;
Museum Witten, DE;
Collection of Contemporary Art Volksfürsorge Insurances, Hamburg, DE.

PORN TO PIZZA – DOMESTIC CLICHÉS, DAM Gallery, 5. September – 24. Oktober 2015