Manfred Mohr, P2602_aa_3, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_9, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_1, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_7, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2400-297a Series, pigment ink on paper, 3 versions: black, blue, red, each 44 x 56 cm, 2018
Manfred Mohr, P-1660, generative software, metal box, IMac, 46 x 66 x 10.8 cm, 2015
Manfred Mohr, P2210-D, Artificiata II - traces, software, screen 40 x 63 cm, 2014 - 2015
Manfred Mohr, P-1414_215, ink on canvas, 80 x 80 cm, 2010
Manfred Mohr, P1420-K, pigment ink on paper, 40 x 40 cm, 2010
Manfred Mohr, P1414_381, pigment ink on canvas, 80 x 80 cm, 2010
Manfred Mohr, P1412_7419, pigment ink on paper, 40 x 40 cm, 2010-2012
Manfred Mohr, P1272_751, pigment ink on paper, 40 x 40 cm, 2007-2010
Manfred Mohr, P-073, plotter drawing, 43 x 49 cm, 1971
Manfred Mohr, P-136, plotter drawing, 22 x 22 cm, 1973


“Since 1968, I exclusively work with a computer and therefore with the logic of a programming language to create art. Through this radical approach in creating my art which I consider an important part of my contribution to a systematic art, I learned an astonishing new way of thinking about my work. In fact, the computer became a physical and intellectual extension in the process of creating my art.

Usually, visual artists order their artistic thoughts and intentions come from a visual understanding of things. The realization of visual imagination is limited to subjective and personal preferences, leading always to incomplete and imprecise results. The nature of programming leads to a more global and yet detailed view of one’s idea. My research centers on the logical content of an idea and the search for general rules which describe that idea. I write procedures which generate results that are the logical consequences of these complex and multilayered rules. These results are rich with visual surprises beyond anyone’s imagination and preferences, thus reducing the above mentioned psychological incompleteness.

Since 1972, all my algorithms (rules) are based on the logical structure of cubes (lines, planes and their relationships etc.) and since 1976 on n-dimensional hyper-cubes.

This structure became the basic alphabet of my work. I use a variety of methods to generate subsets of these structures, in order to break the symmetry and create new visual constellations. Unable to detect the complete system, the viewer nevertheless notices a strong visual force holding everything together. This force is created by the logic of the inherent relationships in the underlying structure.

Once the logic of a procedure is established, i.e. the program, a myriad of possible solutions are at hand. Though visually different and most of all unpredictable, all results are of equivalent aesthetic value because they are based on the same internal logic. They are exactly what Max Bense has called “aesthetic innovation” in his philosophical writings. It is, however, not the system or logic I want to present in my work but the visual invention which results from it. My artistic goal is reached when a finished work can visually dissociate itself from its logical content and convincingly stand as an independent abstract entity.”

Manfred Mohr, New York, 2004

Please have a look at Manfred Mohr’s website for a detailed timeline here.

Born 1938 in Pforzheim, Germany
Lives and works in New York, USA

Manfred Mohr | liquid symmetry, bitforms gallery, New York, USA
Manfred Mohr | Summer Show, Galerie Mueller-Roth, Stuttgart, Germany
Artists after Eighty: Manfred Mohr | with Diet Sayler, Galerie Linde Hollinger, Ladenburg, Germany
Manfred Mohr | A Formal Language: Celebrating 50 Years of Artwork and Algorithms (1969 – 2019), bitforms gallery, New York, USA
Manfred Mohr, artBrussels „Rediscovery“ with Galerie Charlot Paris, Brussels, Belgium
Manfred Mohr | TRANSIT-CODE, DAM Projects, Berlin, Germany
Manfred Mohr | 80th Birthday Celebration, Galerie Mueller-Roth, Stuttgart, Germany
Manfred Mohr | Von Rhythmus zum Algorithmus / From Rhythm to Algorithm, Museum Pforzheim Galerie, Pforzheim, Germany
Manfred Mohr | Artificiata – Sonata Visuelle, Galerie Charlot, Paris, France
Manfred Mohr | Visuell, Musikalisch, DAM Projects, Berlin, Germany
Manfred Mohr | Artificiata II, Carroll/Fletcher Gallery, London, UK
Manfred Mohr | Artificiata II – works from 2012 – 2015, bitforms gallery, New York, USA
Manfred Mohr, Galerie Mueller-Roth, Stuttgart, Germany
Manfred Mohr | Pioneer of Algorithmic Art, Simons Center Gallery, Simons Center of Geometry and Physics (SCGP), Stony Brook University, Stony Brook, New York, USA
Manfred Mohr | Works from 2013 – 2015, Galerie Sack, Kaiserlautern, Germany
Evolving Geometries, Center for the Arts at Virginia Tech, Blacksburg, Virginia, USA
Artificiata I + II, Persistent projects, open-ended (hi)stories – practices of four unrelated artists-presentation/micro-exhibition, OEI Colour Project, Stockholm, Sweden
Artificiata II, DAM GALLERY, Berlin, Germany
1963 – 2013, Reflexions sur une esthétique programmée, Art Basel with bitforms gallery New York, Basel, Switzerland
The Algorithm of Manfred Mohr, 1963- now, Media Museum (ZKM), Karlsruhe, Germany
Artificiata II, Galerie Mueller-Roth, Stuttgart, Germany
One and Zero, Carroll/Fletcher Gallery, London, UK
1964 – 2011, Reflexions sur une esthétique programmée, bitforms gallery, New York
Galerie Linde Hollinger, Germany
parallelResonance, DAM GALLERY, Berlin, Germany
parallelResonance, Galerie Wack, Kaiserslautern, Germany
parallelResonance, DAM GALLERY, Cologne, Germany
SCOPE Basel with DAM GALLERY, Berlin, Germany
Galerie Lausberg, Düsseldorf, Germany
Klangfarben, DAM GALLERY, Berlin, Germany
Retrospective, Kunstverein Pforzheim, Germany
Galerie Lahumière, Paris, France
Bilder + Zeichnungen, Galerie La Ligne, Zürich, Switzerland
Klangfarben, Galerie Mueller-Roth, Stuttgart, Germany
broken symmetry (ddaa award), Kunsthalle Bremen, Germany
[ddaa] d.velop digital art award, Landesvertretung Bremen in Berlin, Germany
Subsets, bitforms gallery, New York, USA
Subsets, Galerie Wack, Kaiserslautern, Germany
Zeichnungen aus 30 Jahren. Museum im Kulturspeicher, Würzburg, Germany
space.color.motion, DAM GALLERY, Berlin, Germany
space.color.motion, Galerie Mueller-Roth, Stuttgart, Germany
space.color.motion, bitforms gallery, New York, USA
space.color, Galerie Schoeller, Düsseldorf, Germany
space.color, Wilhelm-Hack-Museum, Ludwigshafen, Germany
space.color, Museum für Konkrete Kunst, Ingolstadt, Germany
space.color, Galerie Wack, Kaiserslautern, Germany
Bilder + Zeichnungen, Galerie Schoeller, Düsseldorf, Germany
Manfred Mohr with Vera Molnar, Galerie Lahumière, Paris, France
Retrospective 1968-98, Josef Albers Museum, Bottrop, Germany
Retrospective 1968-98, Haus Kollmar & Jourdan, Pforzheim, Germany
Galerie Wack, Kaiserslautern, Germany
ACP Galerie, Zürich, Switzerland
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Weiller / Chevalier, Paris, France
Galerie Jeanne Buytaert, Antwerp, Belgium
ACP Galerie, Zürich, Switzerland
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Weiller / Chevalier, Paris, France
ACP Galerie, Zürich, Switzerland
Galerie Heinz Teufel, Bad-Münstereifel-Mahlberg, Germany
ACP Galerie, Zürich, Switzerland
Dürhammer Galerie, Frankfurt, Germany
Galerie Jeanne Buytaert, Antwerp, Belgium
Retrospective 1960-87, Reuchlin Museum, Pforzheim, Germany
Retrospective 1960-87, Wilhelm-Hack-Museum, Germany
Retrospective 1960-87. Divisibility III, Galerie Mueller-Roth, Stuttgart, Germany
Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Pierre Weiller, Paris, France
Galerie Mueller-Roth, Stuttgart, Germany
Divisibility, Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Heinz Teufel, Köln, Germany
Galerie Pierre Weiller, Paris, France
Galerie Gilles Gheerbrant, Montreal, Canada
Dimensions, Galerie Mueller-Roth, Stuttgart, Germany
Galerie Heinz Teufel, Cologne, Germany
Generative Drawings, Galerie Pierre Weiller, Paris, France
Galerie Media, Neuchâtel, Switzerland
Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Hendrike Swart, Amsterdam, Holland
CUBIC LIMIT, Galerie Pierre Weiller, Paris, France
Drawings/Dessins/Dibujos, Galerie Pierre Weiller, Paris, France
Drawings/Dessins/Dibujos, Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Edith Wahlandt, Schwäbisch Gmünd, Germany
Galerie Hendrike Swart, Amsterdam, Netherlands
Computer Graphics – Une Esthétique Programmée, ARC, Museé d’Art Modern de la Ville de Paris, Paris, France
Galerie Obere Zäune (Anne-Marie Verna), Zürich, Switzerland
signes géométrique, Galerie Daniel Templon, Paris, France

Coded: Art Enters the Computer Age, 1952-1982, LACMA, Los Angeles County Museum of Art, USA
Behind the Scenes, 50 Years of Computer Art, Coda Museum, Apeldoorn, Netherlands
Source Code, Metahaus (with Galerie Charlot), Paris, France
ART MUST BE ARTIFICIAL: Perspectives of AI in the Visual Art From the Ullens Art Collection, Show and Catalog, Diriyah Art Futures Museum, Riyadh, Saudi Arabia, (opening scheduled October 23, 2023)
Konkrete Progressionen, Kunstmuseum Reutlingen, Germany
Monochrome Multitudes, Smart Museum of Art, University of Chicago, Chicago, Illinois, USA
Hybrid Spaces, Borusan Contemporary, Istanbul, Turkey
Untitled Art Miami Beach art fair, Art Week Miami, with bit forms gallery New York/San Fransico, Miami Beach, Florida, USA
artCologne 2022, with bitforms gallery New York/San Fransico, Cologne, Germany
Digital Art Waves, Galerie Charlot, Paris, France
Summer Show, RCM Galerie, Paris, France
ArtCologne 2022, 2-person show with bitforms gallery, New York, Cologne, Germany
From Net Art to Post-Internet, Thomas Erben Gallery, New York, USA
ArtBrussels 2022, Galerie Charlot, Paris/Tel Aviv
American Abstract Artists: Digital Prints, 2012-2019, The Galleries at Herron School of Art + Design, Marsh Gallery, Indianapolis, Indiana, USA
Writing the History of the Future: The ZKM Collection, Signature Works from the Singular ZKM Media Art Collection, Gwangju Museum of Art, Gwangju, South Korea
Writing the History of the Future: The ZKM Collection, ZKM, Karlsruhe, Germany
L’atelier des mémoires vives et imaginaires, Chapelle Saint-Louis de Poitiers, Poitiers, France
Reset, Museum Haus Konstruktiv, Zurich, Switzerland
CONSOLAS. Democracia para la imagen digital, 1972-2003, Sala de exposiciones del Rectorado, La Universitat Politècnica de València, Valencia, Spain
COVIMETRY online exhibition, Ely Center of Contemporary Art, New Haven, USA
Abstract Art in the Age of New Media, MoCDA/UCL/Hobs3D, virtual digital art exhibition
Peinture: Obsolescence Déprogrammée, MASC, Musée d’Art Moderne et Contemporain des Sables d’Olonne, France
Immaterial/Re-material: A Brief History of Computing Art, Ullens Center for Contemporary Art, UCCA, Beijing, China
Einblick, Edition & Galerie Hoffmann, Görbelheimer Mühle, Friedberg, Germany
konstruktivist, Virtual Exhibition No.2
Covimetry #1, Galeria BWA Ostrowiec Swietokrzyski, Poland
Post Hoc, An Online Art Show, online visual poetry show
ArtBrussels 2020: Online platform, with Galerie Charlot, Paris
Traumreisen, Pforzheim Galerie, Pforzheim, Germany
10ème Anniversaire, Galerie Charlot, Paris
In Honor of Heinz Teufel, Milan Dobes Museum, Ostrava, Czech Republic
American Abstract Artists: Digital Prints, 2012-2019, Transmitter Gallery, Brooklyn, USA
London Art Fair, 2020, with DAM gallery Berlin, Germany
Summer Splash 6, DAM Berlin, Berlin, Germany
Writing the History of the Future: The ZKM Collection, ZKM, Karlsruhe
The Algorists: Historic Computer Art, Orange Door, Thoma Foundation, Chicago, USA
Kunst + Design im Dialog: Die neue Dauerausstellung Design mit Sammlung Winkler, MAKK – Museum für Angewandte Kunst, Cologne, Germany
Untitled Artfair, bitforms gallery NY, booth B8, Miami Beach, USA
Chance & Control: Art in the Age of Computers, UK (touring)
Sinnesrausch 2019: Kunst und Bewegung / Art and Movement, OÖ Kulturquartier, Linz, Austria
Zvuky, kódy, obrazy / Zvukový experiment ve vizuálním umění – Sounds / Codes / Images: Audio Experimentation in the Visual Arts
Code and Algorithm, OSAS, Vasarely Museum, Budapest, Hungary
Forum Konkrete Kunst // TRAFO, Stadtmuseum Jena, Jena, Germany
Konstruktive Kunst: Exposition Atelier – Edition Fanal, Paradiesli und Galerie Eulenspiegel, Sigriswil, Switzerland
Automat und Mensch: A History of AI and Generative Art, Kate Vass Galerie, Zurich, Switzerland
Chance and Control: Art in the Age of Computers, Chester Visual Arts, Chester, UK
Programmed: Rules, Codes, and Choreographies in Art, 1965-2018 – Whitney Museum of American Art, New York, USA
Pioneers in Computer Art, RCM Galerie, Paris
bitforms gallery LA at ROW DTLA, from bitforms gallery NY, Los Angeles, USA
Calculated Chance, SOCIÉTÉ d’électricité, Brüssel, Belgium
Linear Constructions, LH2 Contemporary, Berlin, Germany
Zwischen Schwarz und Weiss – Bestandsprobe V, Museum Pfalzgalerie (MPK), Kaiserslautern, Germany
Gruppenausstellung Galerie Mueller-Roth, Stuttgart, Germany
New Art Future Artfair, DAM gallery Berlin, Taipei, Taiwan
Coding the World, Mutations/Créations #2, Centre Pompidou, Paris, France
Hello World. Revising a Collection, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
AUTOMATA: Sing the Body Electric, BIAN – International Digital Art Biennial, 4th Edition Arsenal Art Contemporain, Montreal, Canada
Artistes & Robots, Grand Palais, Paris, France
DIA-LOGOS, Ramon Llull and the ars combinatoria, ZKM | Center for Art and Media, Karlsruhe, Germany
Chance and Control: Art in the Age of Computers, Victoria and Albert Museum, London, UK
THE FUTURE OF THE DRAWING: ALGORITHM, Museum Abteiberg, Mönchengladbach, Germany
Twilight, Borusan Contemporary Art Collection, Istanbul, Turkey
yes no maybe, Flowers Gallery, New York, USA
Live and Let Live, Upstream Gallery, Amsterdam, Netherlands
OSAS, Vasarely Museum, Budapest, Hungary
OEI #79: edit/publish/distribute!, Moderna Museet, Stockholm, Sweden
CONCRETE / DISCOURSE / ALGORITHM, Academic Gallery, Cieszyn, Poland
Computer-Grafik 1984: Herbert W. Franke’s Survey of Digital Art, DAM Gallery, Berlin, Germany
Electronic Superhighway (1966 – 2016), MAAT Museum of Art, Architecture and Technology, Lisbon, Portugal
Drawn from a Score, Beall Center for Art + Technology, University of California, Irvine, USA
Algorithmic Signs, Galleria di Piazza San Marco, Instituzione Fondazione Bevilacqua La Masa, Venice, Italy
Virtual Views: Digital Art from the Thoma Foundation, Orlando Museum of Art, USA
OSAS – Found Geometry, Vasareley Museum Budapest, Hungary
The Policeman’s Beard is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein, Bonn, Germany
Beyond the lines: Manfred Mohr & Eric Vernhes, Galerie Charlot Paris, France
Konkrete Anliegen, Kunst Museum Stuttgart, Stuttgart, Germany
The Algorists, Orange Door Chicago, Thoma Art Foundation, Chicago, USA
Discursive Geometry 7, Instytut Sztuk Pieknych, Kielce, Poland
Auto Vision: Media Art from Nam June Paik to Pipilotti Rist, Kunsthalle Bremen, Bremen, Germany
Looking at one thing and thinking of something else: Part Four, Carroll/Fletcher Gallery, London, UK
Konkrete Anliegen, Sammlung Teufel, Kunst Museum Stuttgart, Stuttgart, Germany
Este Arte art fair, Carroll/Fletcher Gallery London, Punta Del Este, Uruguay
CODE + POETRY, DAM Gallery Berlin, Germany
15 Year Anniversary Exhibition, bitforms Gallery, Minnesota Street Project, San Francisco, USA
Shadow & Space, Thoma Art Foundation, Chicago, USA
[un]expected: The Art of Chance, Kunstmuseum Stuttgart, Germany
Yasit/Script, Borusan Contemporary, Istanbul, Turkey
Looking at one thing and thinking of something else, Carroll/Fletcher Gallery, London, UK
Light, Color, Form, Polychrome Harmonies, Laszlo Vass Collection, Veszprem, Hungary
The Thinking Machine. Ramon Llull and the “ars combinatoria”, CCCB, Barcelona, Spain
Mehrteiler, Stiftung für Konkret Kunst, Reutlingen, Germany
Chromatic Space. American Abstract Artists, Shirley Fiterman Art Center, New York, USA
DAM: Contemporary, DAM GALLERY Berlin, Germany
Die Kunst Der Serie, Galerie Linde Hollinger, Ladenburg, Germany
Electronic Superhighway, Whitechapel Gallery, London, UK
Software. Hard Problem, Museum im Kulturspeicher, Würzburg, Germany
I Got Rhythm. Kunst und Jazz seit 1920, Kunst Museum Stuttgart, Stuttgart, Germany
Software, Hard Problem, Cubitt Art Center, London, UK
Mankind / Machinekind, Krinzinger Projekte, Vienna, Austria
DRKRM, DAM GALLERY, Berlin, Germany
Endless, Entire: American Abstract Artists, FiveMyles Art Center, Brooklyn, New York, USA
Ausstellung in progress: Neue Medien und Konkrete Kunst, Forum Konkrete Kunst Erfurt, Germany
Luminous Flux 2.0, Thoma Foundation, Art House, Santa Fe, New Mexico, USA
Art + Computer / Time, Brattleboro Museum & Art Center, Brattleboro, Vermont, USA
Rendezvous der Länder, Neuhängung der Sammlung Peter C. Ruppert, – Museum im Kulturspeicher, Würzburg, Germany
Ein Quadrat ist ein Quadrat ist ein Quadrat, Museum Ritter, Waldenbuch, Germany
AESTHETICA, 50 years of Computer Generated Art, DAM Gallery, Berlin, Germany
Short Cuts, Centre PasquArt, Kunsthaus Centre d’art, Biel, Switzerland
RAM Rethinking Art & Machine, Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada
How to Construct a Time Machine, MK Gallery, Milton Keynes, UK
American Abstract Artists 75th Anniversary Print Portfolio, Vanderbilt University Fine Arts Gallery, Nashville, Tennesse, USA
Perspectives on Archeology: From Modernity to Present Day, D&F Contemporary, New York, New York, USA
Konkret, Milan Dobes Museum, Bratislava, Slovak Republic
Die Kunst des Weglassens, Neue Sächsische Galerie, Museum für zeitgenössische Kunst, Chemnitz, Germany
Luminous Flux, Digital and Geometric Art from the Thoma Foundation, Art House, Santa Fe, New Mexico, USA
Pencil / Line / Eraser, Carroll/Fletcher Gallery, London, UK
Common Ground: Earth, Borusan Contempory, Istanbul, Turkey
//the_ART_of_DATA, Boulder Museum of Comtemporary Art (BMoCA), Boulder, Colorado, USA
Grazyna Kulczyk Collection. Everybody is nobody for somebody, – Fundación Banco Santander, Madrid, Spain
No Message Whatsoever: Frieder Nake and Friends, DAM GALLERY Berlin, Germany
Zdenek Sykora: In Select Society, GAML: Galerie mesta Loun, Louny, Czech Republic
Eyeworks Festival of Experimental Cinema, including 16mm film “Cubic Limit” 1973-1974: Pioneer Works Center for Art & Innovation, Brooklyn, New York / Virginia Commonwealth University, Richmond, VA / Nightingale Cinema, Chicago, Illinois
On Abstraction III, At the Same Time, Elsewhere … – Musée d’Art Contemporain de Montréal (MACM), Montréal, Canada
American Algorists: Linear Sublime: Westside Gallery, School of Visual Arts, New York and Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, Pennsylvania
Playing with Geometry: Dimensions of Imagination, lAbyRinTh festival, Slubice, Poland
American Abstract Artists – A Selection, School of Art Gallery, Kent State University, Ohio, USA
Light. Art. Kinetics., Museum Ritter, Waldenbuch, Germany
Digital Art (R)evolution, including historical works from the Spalter Digital Art Collection, Dedee Shattuck Gallery, Westport, Massachusetts, USA
B.A.B.E., Immanance, Espace d’Art Contemporaine, Paris, France
Mathematical Rhymes, Boston Cyberarts Gallery, Boston, Massachusetts, USA
Zeitzünder, DAM GALLERY Frankfurt, Germany
ArtBasel, Atelier- Editions Fanal, Hall 2.1/Q3, Basel, Switzerland
Jubiläumsfeier: 10 Jahre Galerie Bernd A. Lausberg, Galerie Lausberg, Düsseldorf, Germany
1982- 2012, 30 Jahre Konkrete Kunst, Sammlung Grauwinkel, Vasarely Museum, Budapest, Hungary
Art Brussels 31, Carroll/Fletcher Gallery London, UK
Art Karlsruhe, Galerie Linde Hollinger, Ladenburg, Germany
Back to Back, DAM GALLERY Frankfurt, Germany
Meine Wunderkammer, DAM GALLERY Berlin, Germany
Position konkret, K16 am Rhein, Duisburg, Germany
Chance as Strategy, Vasarely Museum, Budapest, Hungary
ArtBo, Art fair Bogota, Columbia, Gallery Carroll/Fletcher, London, UK
Art Platform – Los Angeles, Art fair, Santa Monica, California, bitforms gallery, New York, USA
Hot Cold Cool, Art Museum at the University of Memphis, USA
ArtRio, Art fair in Rio de Janeiro, Brazil, Gallery Carroll/Fletcher, London, UK
Herbst.Zeit.Lose, Auktionsausstellung, Gesellschaft für Kunst und Gestaltung, Bonn, Germany
Aufbruch- Malerei und realer Raum, Museum im Kulturspeicher, Würzburg, Germany
Visionary Collection Vol.18: The artist’s house, Haus Konstruktiv, Zürich, Switzerland
gruppe.konket, Galerie Wack, Kaiserslautern, Germany
Pulse Miami art fair, bitforms gallery, New York, USA
Think Line 2, DAM GALLERY Berlin, Germany
notConcrete, Black Box Gallery, Copenhagen, Denmark
Geometries of the Sublime, ISEA2011 Istanbul and the Museum of Contemporary Art, Zagreb, Croatia
Konkret, Sammlung Heinz und Anette Teufel, Panstwowa Galeria Sztuki, Sopot, Poland
American Abstract Artists 75th Anniversary, OK Harris, New York, USA
Construction in Process 1981- The Community that Came? Muzeum Sztuki Lodz, Poland
Art Cologne, Galerie Hoffmann, Friedberg, Germany
Quadratisch-Praktisch-Kunst, Sammlung Marli Hoppe- Ritter zu Gast in Schwäbisch Gmünd, Museum im Prediger, Schwäbisch Gmünd, Germany
Pulse Miami art fair, bitforms gallery, New York, USA
Mirrors of continuous change, Ilju+ Seonhwa Gallery, Seoul, South Korea
Think Line, DAM GALLERY Cologne, Germany
Black + Brunn, Ars Electronica Festival, Galerie Brunnhofer, Linz and Black Box Gallery, Copenhagen, Denmark
100 Jahre Konkrete Kunst, Kunsthalle Rehau- Art, Rehau, Germany
Immer in Bewegung, Sammlung Marli Hoppe Ritter, Mannheimer Kunstverein, Germany
American Abstract Artists, Aragonese Castle, BAU Institute, Otranto, Italy
E- volve, DAM GALLERY Cologne, Germany
Digital Pioneers, Victoria & Albert Museum, London, UK
RECONNAITRE, Museum Paksi Keptar, Paks, Hungary
KONKRET, Sammlung Heinz und Anette Teufel, Kunstmuseum Stuttgart, Germany
eARTS BEYOND, Shanghai International Gallery Exhibition of Media Art, Shanghai, China
L’OBLIQUE, un regard sur la géométrie contemporaine, Musée du Chateau de Montbéliard, Montbéliard, France
ART AND ELECTRONIC MEDIA, bitforms gallery New York, USA
REGARD 6: “Quand la géométrie devient Art”, Espace de l’Art Concret, Mouans-Sartoux, France
GAMES.noGAMES, Gesellschaft für Kunst und Gestaltung Bonn, Germany
ARTWARE 5, Galeria ICPNA, Lima, Peru
Imaging by Numbers, Block Museum of Art, Evanston, Illinois, USA
Algorithms, Block Museum, Northwestern University, Evanston, Illinois, USA
Sammlung Gutmann, Stiftung für konstruktive und konkrete Kunst, Zürich, Switzerland
Conceptions Generated, Projex-mtl Galerie, Montreal, Canada
15 Jahre MKK, Neuhängung im Museum für Konkrete Kunst, Ingolstadt, Germany
Ex Machina – Frühe Computergrafik bis 1979, Kunsthalle Bremen, Germany
Der Zweite Blick, Stiftung für Konkrete Kunst, Reutlingen, Germany
White & Black, Vasarely Museum, Budapest, Hungary
L’Abstraction Géométrique, Château de Tours, France
BIT-International, Neue Galerie Graz, Austria
The Algorists, DAM GALLERY Berlin, Germany
Feedback, Laboral Centro de Arte, Gijón, Spain
Die Neuen Tendenzen, Leopold-Hoesch-Museum, Düren, Germany
ARCO, Madrid Art fair, bitforms Gallery, New York, USA
Ausgerechnet… Mathematik und Konkrete Kunst, Museum im Kulturspeicher, Würzburg, Germany
Cybernetic Sensibility, Daelim Contemporary Art Museum/bitforms gallery, Seoul, South Korea
20th Century Computer Art, Beginnings + Developments, Tama Art University Museum, Tokyo, Japan
Autour Du Blanc, Galerie Lahumière, Paris, France
Köln art.fair 06, DAM GALLERY Berlin, Germany
Bewegung im Quadrat, Museum Ritter, Waldenbuch, Germany
Die Neuen Tendenzen, Museum für Konkrete Kunst, Ingolstadt, Germany
Strictly Geometrical, Wilhelm-Hack-Museum, Ludwigshafen, Germany
[ddaa] 2006 – The five nominees, DAM GALLERY Berlin, Germany
ARCO, Madrid Art fair, bitforms Gallery, New York, USA
Au-Tour de la Géométrie, ProjexMtl Galerie, Montréal, Canada
Sonic Acts XI, International Arts Festival + Conference, Amsterdam, Netherlands
Anfänge der Computergrafik, Aus der Sammlung Etzold, Städt. Museum Abteiberg, Germany
Prelude, Galerie Lahumière, Paris, France
Gallery Opening Show, bitforms-seoul, Seoul, South Korea
Eröffnungsausstellung der Sammlung Marli Hoppe Ritter, Museum Ritter, Waldenbuch, Germany
American Abstract Artists, Yellowbird Gallery, Newburgh, USA
Konkrete Kunst in Europa, Sammlung Ruppert, Museum Art Speicher, Würzburg, Germany
Papier + Metall, Galerie Wack, Kaiserslautern, Germany
Angekommen im eigenen Haus, Kunstmuseum Stuttgart, Germany
Sechzehn Sechzehn Plus, Galerie Mueller-Roth, Stuttgart, Germany
The Algorithmic Revolution, Zur Geschichte der interaktiven Kunst, ZKM, Karlsruhe, Germany
Experiment Konkret, Museum für Konkrete Kunst, Ingolstadt, Germany
Scratch Code, bitforms Gallery, New York, USA
Sammlung Daimler Chrysler, Galerie der Stadt Sindelfingen, Germany
Digital Move, Software screening at the Sony Center, Berlin, Germany
Les systèmes de l’art concret, Château de Mouans-Sartoux, France
Digital Selection, Schick Art Gallery, Skidmore College, Saratoga Springs, New York, USA
Integrating the Digital Consciousness, Deborah Colton Gallery, Houston, Texas, USA
Hubertus Schoeller Stiftung “…stets konkret”, Leopold Hoesch-Museum, Düren, Germany
25 Jahre Wilhelm-Hack-Museum — 25 Jahre Sammeln, Ludwigshafen, Germany
Letzte Ausstellung der Galerie Schoeller – ein Rückblick als Stiftung, Galerie Storms, Düsseldorf, Germany
Wege zur Abstraktion II, FORM & STRUKTUR, Kunstverein Schloss Plön, Germany
László Vass Collection, Gallery of Modern Art, Veszprém, Hungary
Sammlung Holze – Konkrete Kunst, Von Der Heydt-Museum, Wuppertal, Germany
Group-Show, Gutmann Galeria, Budapest, Hungary
La Rigueur de Hasard, Galerie Lahumière, Paris, France
Abstract Dilemma, American Abstract Artists, Allentown, New Jersey, USA
15 variations sur un même thème, Château de Mouans-Sartoux, France
DAM, Lady Margarete Hall College, London, UK
Pioneers of Digital Art, DAM @ Unit 2, Guildhall University, London, UK
Konstuktiv-Konkrete Kunst, Josef Albers Museums – Quadrat, Bottrop, Germany
Relationen, Galerie Wack, Kaiserslautern, Germany
Ligne(s) de Conduite, Château de Mouans-Sartoux, France
8. Annual Digital Salon, School of Visual Arts, New York
Arte Contemporanea di Pforzheim, Palazzo Trissino, Vicenza, Italy
Digital 200, Digital Art Museum, Wiesbaden, Germany
Von Albers bis Paik, Stiftung für konkrete Kunst, Zürich, Switzerland
30 Jahre Sammlung Etzolde, Städt. Museum Abteiberg, Mönchengladbach, Germany
Hommage à Vordemberge-Gildewart, Kunsthalle Dominikanerkirche, Osnabrück, Germany
Geometrie als Gestalt, Neue Nationalgalerie, Berlin, Germany
Le Droit de Réver, Château de Mouans-Sartoux, France
Immerzeit II, Forum Konkreter Kunst, Erfurt, Germany
Pioneering Artists, Siggraph, Orlando, Florida
Movement – Bewegung, European Art Concrete, Berlin, Germany
Geometric Abstraction 1937-1997, Snyder Fine Art, New York
Magie der Zahl, Staatsgalerie Stuttgart, Germany
Zeichnungen, Galerie Wack, Kaiserslautern, Germany
Zeichnen Konkret, Galerie St. Johann, Saarbrücken, Germany
Immerzeit, 10 Jahre, ACP Galerie, Zürich, Switzerland
Works on Paper, Space 504, New York, USA
Creativity & Cognition II, Loughborough, UK
In Teilen, Stiftung für Konkrete Kunst, Reutlingen, Germany
Reliefs et Decoupe, Galerie Lahumière, Paris, France
Reconstructivism, New Geometric Paintings, Curated by Peter Frank, Space 504, New York, USA
Black & White I, Galerie Reckermann, Cologne, Germany
Layzlo Moholy-Nagy: Idee und Wirkung, Kunsthalle Bielefeld, Germany
L’art Concrete Aujourd`hui, Château de Mouans-Sartoux, France
Aspects Actuels de la Mouvance Construite, Musée Royal des Beaux-Arts, Antwerp, Belgium
Vue du Collectionneur, Espace de l’Art Concret, Château de Mouans-Sartoux, France
30×30, Wilhelm-Hack-Museum, Ludwigshafen, Germany
Konstruktiv-Konkret, Kunstverein Wolfsburg, Wolfsburg, Germany
Aspects Actuels de la Mouvance Construite, Musée Beaux-Arts, Verviers, Belgium
Output, 20 Jahre Galerie Mueller-Roth, Stuttgart, Germany
Konstruierte Unregelmässigkeit, Galerie Schoeller, Düsseldorf, Germany
Calculated Images, Robert Hull Fleming Museum, Burlington, Vermont, USA
Regard Multiple, Musée National de l’Art Moderne, Paris, France
Zufall als Prinzip, Wilhelm-Hack-Museum, Ludwigshafen, Germany
3. Emerging Expression Biennale, The Bronx Museum of the Arts, New York, USA
Preisträger der Camille-Graeser-Stiftung Zürich – Böhm, Brand, Mohr, Galerie Teufel Cologne, Germany
Europe 90, Centro Culturale Sincron, Brescia, Italy
Universal Progression, Manezh, Moscow, Russia
Aus dem Würfel Museum, Keom, Karl-Ernst-Osthaus Museum, Hagen, Germany
Gedanken -, Galerie Mueller-Roth, Stuttgart, Germany
Simposio de Arte Sistemático y Constructivo, Museo Reina Sofia, Madrid, Spain
Konkrete und kinetische Kunst, Sammlung Etzold, Moers, Germany
Constructivism versus Computer, WTC, Rotterdam, Netherlands
Seven Artists Using the Computer, University of Connecticut, Storr, Connecticut, USA
Crash, Wright Museum of Art, Univ. of Wisconsin, Madison, Wisconsin, USA
Null-Dimension, Galerie New Space, Fulda, Germany
Computers and Art, IBM Gallery, New York, USA
4. Biennale D’Arte Contemporanea, Comune di Marostica, Italy
Artists in the Computer Age, MIT List Visual Arts Center, Cambridge, Massachusetts, USA
Mathematik in der Kunst der letzen 30 Jahre, Wilhem-Hack-Museum, Ludwigshafen, Germany
Kalkulierte Kunst, Galerie Teufel, Cologne, Germany
Digital Vision, Everson Museum of Art, Syracuse, New York, USA
The Computer as an Art Tool, Hurlbutt Gallery, Greenwich, Connecticut, USA
Konkret VI, Kunsthaus Nürnberg, Germany
Images de Futur, Vieux Port, Montreal, Canada
Ein Zeitdokument, Sammlung Etzold, Abteiberg, Germany
Digiart, Szepmuveszeti Muzeum, Budapest, Hungary
Von zwei Quadraten, Wilhelm-Hack-Museum, Ludwigshafen, Germany
Les Vingt ans du Musee a Travers a Collection, Musée d’Art Contemporain de Montreal, Canada
Vom Klang der Bilder, Staatsgalerie Stuttgart, Germany
Computer Generated Images, William Patterson College, New Jersey, USA
A Point – 1984, Galerie Mueller-Roth, Stuttgart, Germany
Mathematics and Twentieth Century Art, Baruch College, New York, USA
Die Sprache der Geometrie, Kunstmuseum Bern, Bern, Switzerland
Neue Konkrete Kunst in Deutschland, Galerie Schoeller, Düsseldorf, Germany
The Computer and its Influence on Art and Design, Sheldon Memorial Art Gallery, Lincoln, Nebraska, USA
Zeichnen Konkret, Pfalzgalerie, Kaiserslautern, Germany
Electra, Musée d’Art Moderne de la Ville de Paris, Paris, France
Die Handzeichnung der Gegenwart II, Staatsgalerie Stuttgart, Germany
Deutsche Zeichnung der Gegenwart, Museum Ludwig, Cologne, Germany
Constructivism and the Geometric Tradition 2. Traveling exhibition of the McCrory Collection
Ars + Machina I, Institut Franco-Americain, Rennes, France
Konstukcja W Procesie, Lodz, Poland
Constructivism and the Geometric Tradition, Traveling exhibition of the McCrory Collection,
Museum of Fine Arts, Dallas, Texas, USA
Museum of Modern Art, San Francisco, California, USA
Museum of Contemporary Art, La Jolla, California, USA
Printed Art, A View of two Decades, Museum of Modern Art, New York, USA
Konstruktion, Struktur, Konstellation, Galerie Teufel, Cologne, Germany
Cybernetic Symbiosis, University of Berkeley, California, USA
Künstlerbücher, Galerie Lydia Megert, Bern, Switzerland
Ariste et Ordinateur, Centre Suedois, Paris, France
Constructivism and the Geometric Tradition, Traveling exhibition of the McCrory Collection, Albright-Knox Art Gallery, Buffalo, New York, USA
Recherche et Creation, Centre Pompidou, Paris, France
Numerals, Leo Castelli Gallery, New York, USA
Lettres, Signes, Ecritures, Malmö Konsthall, Sweden
System und Zufall, Landespavillion, Stuttgart, Germany
Art Generatif, Galerie Gilles Gheerbrant, Montreal, Canada
12. BIENNALE, Ljubljana, Slovenia
World Print Competition 77, Museum of Modern Art, San Francisco, California, USA
Decada 70, São Paulo, Brazil
03 23 03, Montreal and NAtional Gallery of Canada, Ottawa, Canada
GRAFIK BIENNALE, Vienna, Austria
The Museum of Drawers, Traveling exhibition
Anamorphoses, Musée des Arts Decoratifs, Paris, France
Systèmes et Series, Musée des Beaux-Arts, Besançon, France
Grafik Biennale, Vienna, Austria
ICCH/2, Museum of Modern Art, Los Angeles, California, USA
11. Biennale, Ljubljana, Slovenia
The Western Australian Art Gallery, Perth, Australia
Cybernetic Artrip, Tokyo, Japan
Le Musée Cybernétique, Musée d’Art Contemporain, Montreal, Canada
Instituto Alemao, Lisboa, Portugal
Miedzynarodowe Biennale Grafiki, Krakow, Poland
10. Biennale, Ljubljana, Slovenia
Programm – Zufall – System, Städt Museum Mönchengladbach, Germany
World Print Competition of Modern Art, San Francisco, California, USA
Sigma, Musée des Beaux-Arts, Bordeaux, France
Grenzgebiete der Kunst, Städt Museum Schwäbisch Gmünd, Germany
Tendencije-5, Zagreb, Croatia
Computerkunst und Musikalische Texturen, Staatsgalerie Stuttgart, Germany
Impulsos, Instituto Alemán, Madrid, Spain
Buchleiter/Mohr/Mürle/Treiber, Reuchlinhaus Pforzheim, Germany
L’Art et les Technologies Industrielles, Vitry-sur-Seine, France
Arte y Cibernética, Universidad de Buenos Aires, Argentina
Arteonica, Universidade de São Paulo, Brazil
Kunstzone, München, Germany
2. Biennale, Nürnberg, Germany
Generación Automatica de Formas Plásticas, Universidad de Madrid, Madrid, Spain
Computer Graphics 70, Uxbridge University, London, UK
Salon de Mai, Musée d’Art Moderne de la Ville de Paris, France
Intermedia, Heidelberg, Germany
Salon Réalités Nouvelles, Musée d’Art Moderne de la Ville de Paris, France
Poesie Visuelle, Galerie Sincron, Brecscia, Italy
Sechs Pforzheimer Künstler, Reuchlinhaus Pforzheim, Germany
Concordancia de Arte, Galeria Juana Mordo, Madrid, Spain
Divergenzen 66, Galerie Lauter, Mannheim, Germany
Blanc et Noir, Galerie Paul Facchetti, Paris, France

COLLECTIONS (selection)
Centre Pompidou, Paris, France
ZKM | Center for Art and Media, Karlsruhe, Germany
Whitney Museum of American Art, New York, USA
Joseph Albers Museum, Bottrop, Germany
Mary and Leigh Block Museum of Art, Chicago, USA
Victoria and Albert Museum, London, UK
Ludwig Museum, Cologne, Germany
Wilhelm-Hack-Museum, Ludwigshafen, Germany
Kunstmuseum Stuttgart, Stuttgart, Germany
Stedelijk Museum, Amsterdam, Netherlands
Museum im Kulturspeicher, Würzburg, Germany
Kunsthalle Bremen, Bremen, Germany
Musée d’Art Moderne et Contemporain, Strasbourg, France
Daimler Art Collection Berlin / Stuttgart, Germany
Musée d’Art Contemporain, Montreal, Canada
The Tel Aviv Museum of Art, Tel Aviv, Israel
Espace D’Art Concret (EAC), Mouans- Sartoux, France
Museum für Angewandte Kunst, Cologne, Germany
Borusan Art Collection, Istanbul, Turkey
McCrory Collection, New York, USA
Esther Grether Collection, Basel, Switzerland
Thoma Art Foundation, Chicago, USA
Fondation Guy & Myriam Ullens, Geneva, Switzerland

Coded: Art Enters the Computer Age, 1952-1982, edited by Leslie Jones
Art Must Be Artificial, Jerome Neueres, Catalog, Diriyah Art Futures Museum, Riyadh, Saudi Arabia (release date June 27, 2023)
Manfred Mohr, liquid symmetry, works 2020 – 2021, exhibition catalog, bitforms gallery, New York
An Interview with Manfred Mohr, The legendary computer artist speaks to Aleksandra Jovanić about algorithms, music, and the logic of generative art – Right Click Save
Writing the History of the Future, Signature Works of the Singular ZKM Media Art Collection, Gwangju Museum of Art, Gwangju, South Korea
Finale – Director’s Cut: Einblicke in das Wachsein einer Sammlung, edited by Sören Fischer, Svenja Kriebel, Andrea Löschnig and Annette Reich, Dr. Cantz’sche Verlagsgesellschaft, Esslingen
Peter Weibel. Literatur und Medien, Enzyklopädie der Medien, Volume 4, a ZKM book, Hatte Cantz Verlag
Manfred Mohr: transit-code / algorithmic modulations, catalog of 3 gallery shows, Galerie Charlot, Paris 2017, DAM, Berlin 2018, bitforms gallery, New York 2019. Zum Kleinen Markgräflerhof, Basel
Immaterial / Re-material: A Brief History of Computing Art, UCCA Beijing, 2020/21, UCCA Center for Contemporary Art and Culture and Art Publishing House, Beijing
Christiane Paul, Digital Art Now: Histories of (IM)Materialities, International Journal for Digital Art History, Issue 5, pp 2.02-2.11, Sept. 4, 2020.
In Honor of Heinz Teufel, Catalog, Milan Dobes Museum, Ostrava, Czech Republic
Ernest Edmonds, Art and Code: Programming as a Medium, in: Interactivity, Game Creation, Design, Learning and Innovation, Brooks, Anthony u.a. (Eds.) pp. 3-12, July 2020.
Michael Müller, Würdigung eines grossen Künstlers: Zwei Bände über Ausstellungen und Arbeiten von Manfred Mohr, Pforzheimer Zeitung, 28 Aug. 2020.
Catherine Mason, Digital and network art in lockdown: how can we be creative in new ways?, Studio International, May 29, 2020.
Firat Arapoğlu, Manfred Mohr: A Digital 1.0 Perspective in Art History, Borusan Contemporary, 17 Feb. 2020.
Vom Rhythmus zum Algorithmus / From Rhythm to Algorithm, Exhibition Catalog, Museum Pforzheim Gallery, Pforzheim Germany, curated by Regina M. Fischer.
Catalog: Manfred Mohr, Artificiata II, works from 2012-2015, bitforms gallery, New York, USA
Catalog: Manfred Mohr, Pioneer of Algorithmic Art, Simons Center for the Arts, SCGP, Stony Brook, USA
Der Algorithmus des Manfred Mohr. Texte 1963-1979, catalog for exhibit June-Sept 2013, ZKM Karlsruhe, Germany
Manfred Mohr, Künstler, Kritisches Lexicon der Gegenwartkunst, Der Kunsthandel Verlag, Neu-Isenburg, Germany
Manfred Mohr: artist book: Artificiata II, OEI Editor Stockholm, Sweden
Manfred Mohr in Evolving Geometries: Line, Form, Color Center for the Arts at Virginia Tech, Blacksburg, USA
Artificiata II, Galerie Mueller-Roth Stuttgart, DAM Gallery Berlin, Germany
Manfred Mohr: one and zero Carroll/Fletcher GalleryText by Alistair Rider, Scripted Variations November 16, 2012 – December 20, 2012, 24 x 17 cm – 64 pages.
spot on #2, manfred mohr color, form, and data continuity, Borusan | Contemporary Istanbul. Text by Dr. Necmi Sönmez, Turkish/English December 24, 2011 – April 15, 2012, 21 x 14.5cm – 16 pages.
parallelResonance DAM GALLERY Cologne Mar 19. 2011 – Apr 21. 2011.
Galerie Wack, Kaiserslautern Mar 27. 2011 – May 19. 2011.
Galerie DAM GALLERY Berlin Apr 29. 2011 – Jun 08. 2011.
bitforms Gallery New York Dec 15. 2011 – Jan 28. 2012, Date changed to: Sept. 9, 2011 – Oct. 15, 2011 28 x 24 cm – 36 pages.
klangfarben – Galerie Mueller-Roth, Stuttgart Sep. 14. 2007 – Oct. 28. 2007, 21 x 21 cm – 32 pages.
broken symmetry Kunsthalle Bremen, Bremen Apr. 24. 2007 – Jul. 1. 2007, 30 x 24 cm – 95 pages.
subsets – bitforms, New York Jan. 19. 2006 – Feb. 15. 2006.
Galerie Wack, Kaiserslautern Sep. 3. 2005 – Oct. 15. 2005, 24 x 20 cm – 24 pages.
space.color.motion Selected installation views of P777 (2002-2005) Stuttgart, Madrid, Basel, Berlin, Würzburg etc. 24 x 20 cm – 6 pages.
space.color, Museum für Konkrete Kunst, Ingolstadt 14. 10. 2001 – 11. 11. 2001.
Wilhelm-Hack-Museum, Ludwigshafen  12. 4. 2002 – 9. 6. 2002, 25 x 22 cm – 78 pages.
Algorithmische Arbeiten, Josef Albers Museum, Bottrop, 29. 03. 1998 – 03. 05. 1998, 21 x 21 cm – 66 pages.
monographie Manfred Mohr, Waser Verlag Zürich, 28 x 24 cm, 230 pages.
Laserglyphs Galerie Mueller-Roth, Stuttgart 24. 01. 1992 – 29. 02. 1992.
Galerie ACP, Zürich 12. 06. 1992 – 17.07. 1992, 28 x 24 cm – 36 pages.
Neue Arbeiten, Galerie Teufel, Köln 16. 01. 1991 – 31. 03. 1991, 20 x 20 cm – 24 pages.
Computer-Related Geometric Works Prakapas Gallery, New York, 03. 05. 1989 – 27. 05. 1989, 10 x 23 cm – 10 pages.
Arbeiten 1960-1988, Reuchlinhaus, Pforzheim10. 07. 1988 – 14. 08. 1988, 25 x 21 cm – 120 pages.
Fractured Symmetry Algorithmic Works 1967-1987 Wilhelm-Hack-Museum, Ludwigshafen, 31. 10. 1987 – 06. 12. 1987, 25 x 21 cm – 120 pages.
Divisibility III, Galerie Mueller-Roth, Stuttgart, 06. 12. 1986 – 24. 01. 1987, 21 x 26 cm – 32 pages.
Divisibility II, Galerie Teufel, Köln, 19. 01. 1985 – 19. 04. 1985, 21 x 21 cm – 36 pages.
Divisibility, Galerie Gilles Gheerbrant, Montréal, 10. 10. 1981 – 03. 11. 1981, 21 x 26 cm – 32 pages.
Werkübersicht 1965-80, Galerie Teufel, Köln, 01. 03. 1980 – 20. 04. 1980, 21 x 21 cm – 34 pages.
Dimensions, Galerie Mueller-Roth, Stuttgart, 04. 03. 1979 – 22. 04. 1979, 21 x 26 cm – 32 pages.
Generative Bilder und Zeichnungen 1977-78, Galerie Teufel, Köln, 07. 04. 1978 – 09. 06. 1978, 21 x 15 cm – 16 pages.
Cubic Limit II Dessins Génératifs, Galerie Weiller, Paris, 18. 10. 1977 – 19. 11. 1977, 21 x 26 cm – 32 pages.
Cubic Limit, Galerie Weiller, Paris, (Le Monde article by Conil Lacoste) 29. 05. 1975 – 28. 06. 1975, 21 x 26 cm – 24 pages.
Dessins / Drawings /Zeichnungen / Dibujos, Galerie Weiller, Paris, 13. 03. 1974 – 13. 04. 1974.
Galerie Gilles Gheerbrant, Montréal, 24. 04. 1974 – 22. 05. 1974, 24 x 21 cm – 24 pages.
Computer Graphics Une esthétique programmée ARC – Musée d’Art Moderne de la Ville de Paris (catalog and show) 11. 05. 1971 – 06. 06. 1971, 22 x 20 cm – 48 pages.
suite visuelle Artificiata I, Edition Agentzia, Paris, 20 x 12 cm – 38 pages.
signes géométrique Galerie Templon, Paris, (see article by Catherine Millet), 05. 11. 1968 – 30. 11. 1968, 21 x 21 cm – 12 pages.

ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art
[ddaa] d.velop Digital Art Award, Berlin, Germany
Artist Fellowship, New York Foundation of the Arts, New York, USA
Golden Nica from Ars Electronica, Linz, Austria
Camille Graesser-Preis, Zürich, Switzerland

DISCOVERIES, DAM Berlin, December 01, 2021 – February 19, 2022
SUMMER SPLASH 6, DAM Berlin, July 15- August 15, 2020
TRANSIT-CODE, DAM Berlin, September 22 – November 03, 2018
VISUELL, MUSIKALISCH, DAM Berlin, June 11 – July 30, 2016
CODE + POETRY, DAM Berlin, April 08 – June 04, 2016
DRKRM, DAM Berlin, October 31, 2015 – January 16, 2016
AESTHETICA, DAM Berlin, May 29 – August 01, 2015
NO MESSAGE WHATSOEVER: FRIEDER NAKE & FRIENDS, DAM Berlin, November 16, 2013 – January 25, 2014
ZEITZÜNDER, DAM GALLERY Frankfurt, November 09, 2013 – February 01, 2014
ARTIFICIATA II, DAM Berlin, September 14 – November 09, 2013
BACK TO BACK, DAM Frankfurt, February 20 – May 04, 2013
MEINE WUNDERKAMMER, DAM Berlin, December 01, 2012 – January 26, 2013
THINK LINE 2, DAM Berlin, November 19, 2011 – January 21, 2012
PARALLEL RESONANCE, DAM Berlin, April 30 – June 08, 2011
PARALLEL RESONANCE, DAM Köln, March 23 – April 21, 2011
THINK LINE, DAM Cologne, September 04 – October 30, 2010
E-VOLVE, DAM Cologne, April 24 – June 24, 2010
KLANGFARBEN, DAM Berlin, September 27 – November 15, 2008
THE FIVE NOMINEES OF THE d.velop digital art award 2006 [ddaa], DAM Berlin, June 23 – September 06, 2006
THE ALGORISTS, DAM Berlin, March 20 – May 14, 2007
SPACE.COLOR.MOTION., DAM Berlin, May 04 – June 22, 2004