Manfred Mohr, P2602_aa_3, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_9, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_1, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2602_aa_7, pigment-ink on paper, 42 x 42 cm (framed 50 x 50 cm), 2019
Manfred Mohr, P2400-297a Series, pigment ink on paper, 3 versions: black, blue, red, each 44 x 56 cm, 2018
Manfred Mohr, P2500-2217a, pigment ink on paper, each 28 x 38 cm, 2018
Manfred Mohr, P2300-1690,  pigment ink on paper, 100 x 100 cm, 2017 - 2018
Manfred Mohr, Transit-Code, P2300-1699 (capture), real-time algorithmic animation, 2017 - 2018
Manfred Mohr, P-1660, generative software, metal box, IMac, 46 x 66 x 10.8 cm, 2015
Manfred Mohr, P-1680, generative software, metal box, iMac, 46 x 66 x 10.8 cm, 2015
Manfred Mohr, P2210-D, Artificiata II - traces, software, screen 40 x 63 cm, 2014 - 2015
Manfred Mohr, P1612_2953, pigment on paper, 42 x 42 cm, 2013
Manfred Mohr, P1622-F, LCD screen + Mac Mini + software, 45 x 45 x 11 cm, 2012
Manfred Mohr, P1600, pigment ink on paper, 43 x 43 cm, 2012
Manfred Mohr, P-1611_3817, ink on canvas, 90 x 90 cm, 2012
Manfred Mohr, P-1611_4555, ink on canvas, 90 x 90 cm, 2012
Manfred Mohr, P-1414_381, ink on canvas, 80 x 80 cm, 2010
Manfred Mohr, P-1414_4368, ink on canvas, 80 x 80 cm, 2010


“Since 1968, I exclusively work with a computer and therefore with the logic of a programming language to create art. Through this radical approach in creating my art which I consider an important part of my contribution to a systematic art, I learned an astonishing new way of thinking about my work. In fact, the computer became a physical and intellectual extension in the process of creating my art.

Usually, visual artists order their artistic thoughts and intentions come from a visual understanding of things. The realization of visual imagination is limited to subjective and personal preferences, leading always to incomplete and imprecise results. The nature of programming leads to a more global and yet detailed view of one’s idea. My research centers on the logical content of an idea and the search for general rules which describe that idea. I write procedures which generate results that are the logical consequences of these complex and multilayered rules. These results are rich with visual surprises beyond anyone’s imagination and preferences, thus reducing the above mentioned psychological incompleteness.

Since 1972, all my algorithms (rules) are based on the logical structure of cubes (lines, planes and their relationships etc.) and since 1976 on n-dimensional hyper-cubes.

This structure became the basic alphabet of my work. I use a variety of methods to generate subsets of these structures, in order to break the symmetry and create new visual constellations. Unable to detect the complete system, the viewer nevertheless notices a strong visual force holding everything together. This force is created by the logic of the inherent relationships in the underlying structure.

Once the logic of a procedure is established, i.e. the program, a myriad of possible solutions are at hand. Though visually different and most of all unpredictable, all results are of equivalent aesthetic value because they are based on the same internal logic. They are exactly what Max Bense has called “aesthetic innovation” in his philosophical writings. It is, however, not the system or logic I want to present in my work but the visual invention which results from it. My artistic goal is reached when a finished work can visually dissociate itself from its logical content and convincingly stand as an independent abstract entity.”

Manfred Mohr, New York, 2004

Please have a look at Manfred Mohr’s website for a detailed timeline here.

Born 1938 in Pforzheim, Germany
Lives and works in New York, USA

ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art
[ddaa] d.velop Digital Art Award, Berlin, Germany
Artist Fellowship, New York Foundation of the Arts, New York, USA
Golden Nica from Ars Electronica, Linz, Austria
Camille Graesser-Preis, Zürich, Switzerland

Artists after Eighty: Manfred Mohr, Galerie Linde Hollinger, Germany
A Formal Language: Celebrating 50 Years of Artwork and Algorithms (1969 – 2019), bitforms gallery, New York, New York
artBrussels “Rediscovery” mit Galerie Charlot Paris, Brüssel, Belgium
Transit-Code, DAM GALLERY Berlin, Germany
Manfred Mohr | 80th Birthday Celebration, Galerie Mueller-Roth, Stuttgart, Germany
From Rhythm to Algorithm, Museum Pforzheim Galerie, Pforzheim, Germany
Visuell, Musikalisch, DAM Gallery Berlin, Germany
Artificiata – Sonata Visuelle, Galerie Charlot, Paris, France
Artificiata II, Carroll/Fletcher Gallery, London, UK
Artificiata II, bitforms gallery, New York, USA
Manfred Mohr, galerie mueller-roth, Stuttgart, Germany
Pioneer of Algorithmic Art, Simons Center Gallery, SCGP, Stony Brook, New York
Works from 2013 – 2015, Galerie Wack, Kaiserslautern, Germany
Evolving Geometries, Center for the Arts at Virginia Tech, Blacksburg, Virginia
Artificiata I + II, Persistent projects, open-ended (hi)stories – practices of four unrelated artists -presentation/micro-exhibition, OEI Colour Project, Stockholm, Sweden
Artificiata II. DAM GALLERY Berlin, Germany
1963 – 2013, Reflexions sur une esthétique programmée, Art Basel with bitforms gallery New York, Basel, Switzerland
The Algorithm of Manfred Mohr, 1963- now, Media Museum (ZKM), Karlsruhe, Germany
Artificiata II, Galerie Mueller-Roth, Stuttgart, Germany
One and Zero, Carroll/Fletcher Gallery, London, UK
1964 – 2011, Reflexions sur une esthétique programmée, bitforms gallery, New York
Galerie Linde Hollinger, Germany
parallelResonance, DAM GALLERY Berlin, Germany
parallelResonance, Galerie Wack, Kaiserslautern, Germany
parallelResonance, DAM GALLERY Cologne, Germany
SCOPE Basel with DAM GALLERY Berlin, Germany
Galerie Lausberg, Düsseldorf, Germany
Klangfarben, DAM GALLERY Berlin, Germany
Retrospective, Kunstverein Pforzheim, Germany
Galerie Lahumière, Paris, France
Bilder + Zeichnungen, Galerie La Ligne, Zürich, Switzerland
Klangfarben, Galerie Mueller-Roth, Stuttgart, Germany
broken symmetry (ddaa award), Kunsthalle Bremen, Germany
[ddaa] d.velop digital art award, Landesvertretung Bremen in Berlin, Germany
Subsets, bitforms gallery, New York
Subsets, Galerie Wack, Kaiserslautern, Germany
Zeichnungen aus 30 Jahren. Museum im Kulturspeicher, Würzburg, Germany
space.color.motion, DAM GALLERY Berlin, Germany
space.color.motion, Galerie Mueller-Roth, Stuttgart, Germany
space.color.motion, bitforms gallery, New York, USA
space.color, Galerie Schoeller, Düsseldorf, Germany
space.color, Wilhelm-Hack-Museum, Ludwigshafen, Germany
space.color, Museum für Konkrete Kunst, Ingolstadt, Germany
space.color, Galerie Wack, Kaiserslautern, Germany
Bilder + Zeichnungen, Galerie Schoeller, Düsseldorf, Germany
Manfred Mohr with Vera Molnar, Galerie Lahumière, Paris, France
Retrospective 1968-98, Josef Albers Museum, Bottrop, Germany
Retrospective 1968-98, Haus Kollmar & Jourdan, Pforzheim, Germany
Galerie Wack, Kaiserslautern, Germany
ACP Galerie, Zürich, Switzerland
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Weiller / Chevalier, Paris, France
Galerie Jeanne Buytaert, Antwerp, Belgium
ACP Galerie, Zürich, Switzerland
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Weiller / Chevalier, Paris, France
ACP Galerie, Zürich, Switzerland
Galerie Heinz Teufel, Bad-Münstereifel-Mahlberg, Germany
ACP Galerie, Zürich, Switzerland
Dürhammer Galerie, Frankfurt, Germany
Galerie Jeanne Buytaert, Antwerp, Belgium
Retrospective 1960-87, Reuchlin Museum, Pforzheim, Germany
Retrospective 1960-87, Wilhelm-Hack-Museum, Germany
Retrospective 1960-87. Divisibility III, Galerie Mueller-Roth, Stuttgart, Germany
Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Pierre Weiller, Paris, France
Galerie Mueller-Roth, Stuttgart, Germany
Divisibility, Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Heinz Teufel, Köln, Germany
Galerie Pierre Weiller, Paris, France
Galerie Gilles Gheerbrant, Montreal, Canada
Dimensions, Galerie Mueller-Roth, Stuttgart, Germany
Galerie Heinz Teufel, Cologne, Germany
Generative Drawings, Galerie Pierre Weiller, Paris, France
Galerie Media, Neuchâtel, Switzerland
Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Mueller-Roth, Stuttgart, Germany
Galerie Hendrike Swart, Amsterdam, Holland
CUBIC LIMIT. Galerie Pierre Weiller, Paris, France
Drawings/Dessins/Dibujos, Galerie Pierre Weiller, Paris, France
Drawings/Dessins/Dibujos, Galerie Gilles Gheerbrant, Montreal, Canada
Galerie Edith Wahlandt, Schwäbisch Gmünd, Germany
Galerie Hendrike Swart, Amsterdam, Netherlands
Computer Graphics – Une Esthétique Programmée, ARC, Museé d’Art Modern de la Ville de Paris, Paris, France
Galerie Obere Zäune (Anne-Marie Verna), Zürich, Switzerland
signes géométrique, Galerie Daniel Templon, Paris, France

Writing the History of the Future: The ZKM Collection, ZKM, Karlsruhe, Feb 23, 2019 – Jan 9, 2022
L’atelier des mémoires vives et imaginaires, Chapelle Saint-Louis de Poitiers, Poitiers, France, July 1 – Oct 31, 2021
Reset, Museum Haus Konstruktiv, Zurich, Switzerland, March 2 – May 16 2021
CONSOLAS. Democracia para la imagen digital, 1972-2003, Sala de exposiciones del Rectorado, La Universitat Politècnica de València, Valencia, Spain, March 12 – May 7, 2021
COVIMETRY online exhibition, Ely Center of Contemporary Art, New Haven, USA, April 19 – June 6 2021
Abstract Art in the Age of New Media, MoCDA/UCL/Hobs3D, virtual digital art exhibition, Feb 8 – May 9, 2021
Peinture: Obsolescence Déprogrammée, MASC, Musée d’Art Moderne et Contemporain des Sables d’Olonne, France, June 14 – Sept 27, 2020
– postponed again because of coronavirus outbreak to October, 2021
Immaterial/Re-material: A Brief History of Computing Art, Ullens Center for Contemporary Art, UCCA, Beijing, China
Einblick, Edition & Galerie Hoffmann, Görbelheimer Mühle, Friedberg, Germany
konstruktivist, Virtual Exhibition No.2, curated by Erdem K. Köroğlu, Istanbul, Turkey
Covimetry #1, Curator: Mark Starel, Galeria BWA Ostrowiec Swietokrzyski, Poland
Post Hoc, An Online Art Show, curated by Nick Monfort, online visual poetry show
ArtBrussels 2020: Online platform, with Galerie Charlot, Paris
Traumreisen, Pforzheim Galerie, Pforzheim Germany
10ème Anniversaire, Galerie Charlot, Paris
In Honor of Heinz Teufel, Milan Dobes Museum, Ostrava, Czech Republic
American Abstract Artists: Digital Prints, 2012-2019, Transmitter Gallery, Brooklyn, USA
London Art Fair, 2020, with DAM gallery Berlin, Germany
Summer Splash 6, DAM Berlin, Berlin, Germany
Writing the History of the Future: The ZKM Collection, ZKM, Karlsruhe
The Algorists: Historic Computer Art, Orange Door, Thoma Foundation, Chicago, USA
Kunst + Design im Dialog: Die neue Dauerausstellung Design mit Sammlung Winkler, MAKK – Museum für Angewandte Kunst, Cologne, Germany
Untitled Artfair, bitforms gallery NY, booth B8, Miami Beach, USA
Chance & Control: Art in the Age of Computers, UK (touring)
Sinnesrausch 2019: Kunst und Bewegung / Art and Movement, OÖ Kulturquartier, Linz, Austria
Zvuky, kódy, obrazy / Zvukový experiment ve vizuálním umění – Sounds / Codes / Images: Audio Experimentation in the Visual Arts
Code and Algorithm, OSAS, Vasarely Museum, Budapest, Hungary
Forum Konkrete Kunst // TRAFO, Stadtmuseum Jena, Jena, Germany
Konstruktive Kunst: Exposition Atelier – Edition Fanal, Paradiesli und Galerie Eulenspiegel, Sigriswil, Switzerland
Automat und Mensch: A History of AI and Generative Art, Kate Vass Galerie, Zurich, Switzerland
Chance and Control: Art in the Age of Computers, Chester Visual Arts, Chester
Programmed: Rules, Codes, and Choreographies in Art, 1965-2018
– Whitney Museum of American Art, New York, USA
Pioneers in Computer Art, RCM Galerie, Paris
bitforms gallery LA at ROW DTLA, from bitforms gallery NY, Los Angeles, USA
Calculated Chance, SOCIÉTÉ d’électricité, Brüssel, Belgium
Linear Constructions, LH2 Contemporary, Berlin, Germany
Zwischen Schwarz und Weiss – Bestandsprobe V, Museum Pfalzgalerie (MPK), Kaiserslautern, Germany
Gruppenausstellung Galerie mueller-roth, Stuttgart, Germany
New Art Future Artfair, DAM gallery Berlin, Taipei, Taiwan

Coding the World, Mutations/Créations #2, Centre Pompidou, Paris, France
Hello World. Revising a Collection, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany
AUTOMATA: Sing the Body Electric, BIAN – International Digital Art Biennial, 4th Edition Arsenal Art Contemporain, Montreal, Canada
Artistes & Robots, Grand Palais, Paris, France
DIA-LOGOS, Ramon Llull and the ars combinatoria, ZKM | Center for Art and Media, Karlsruhe, Germany
Chance and Control: Art in the Age of Computers, Victoria and Albert Museum, London, UK
THE FUTURE OF THE DRAWING: ALGORITHM, Museum Abteiberg, Mönchengladbach, Germany
Twilight, Borusan Contemporary Art Collection, Istanbul, Turkey
yes no maybe, Flowers Gallery, New York, USA
Live and Let Live, Upstream Gallery, Amsterdam, Netherlands
OSAS, Vasarely Museum, Budapest, Hungary
OEI #79: edit/publish/distribute!, Moderna Museet, Stockholm, Sweden
CONCRETE / DISCOURSE / ALGORITHM, Academic Gallery, Cieszyn, Poland
Computer-Grafik 1984: Herbert W. Franke’s Survey of Digital Art, DAM Gallery, Berlin, Germany
Electronic Superhighway (1966 – 2016), MAAT Museum of Art, Architecture and Technology, Lissabon, Portugal
Drawn from a Score, Beall Center for Art + Technology, University of California, Irvine, USA
Algorithmic Signs, Galleria di Piazza San Marco, Instituzione Fondazione Bevilacqua La Masa, Venedig, Italy
Virtual Views: Digital Art from the Thoma Foundation, Orlando Museum of Art, USA
OSAS – Found Geometry, Vasareley Museum Budapest, Hungary
The Policeman’s Beard is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein, Bonn, Germany
Beyond the lines: Manfred Mohr & Eric Vernhes, Galerie Charlot Paris, France
Konkrete Anliegen, KunstMuseum Stuttgart, Stuttgart, Germany
The Algorists, Orange Door Chicago, Thoma Art Foundation, Chicago
Discursive Geometry 7, Instytut Sztuk Pieknych, Kielce, Poland
Auto Vision: Media Art from Nam June Paik to Pipilotti Rist, Kunsthalle Bremen, Bremen, Germany
Looking at one thing and thinking of something else: Part Four, Carroll / Fletcher Gallery, London, UK
Konkrete Anliegen, Sammlung Teufel, Kunst Museum Stuttgart, Stuttgart, Germany
Este Arte art fair, Carroll / Fletcher Gallery London, Punta Del Este, Uruguay
CODE + POETRY, DAM Gallery Berlin, Germany
15 Year Anniversary Exhibition, bitforms Gallery, Minnesota Street Project, San Francisco, USA
Shadow & Space, Thoma Art Foundation, Chicago, USA
[un]expected: The Art of Chance, Kunstmuseum Stuttgart, Germany
Yasit/Script, Borusan Contemporary, Istanbul, Turkey
Looking at one thing and thinking of something else, Carroll / Fletcher Gallery, London, UK
Light, Color, Form, Polychrome Harmonies, Laszlo Vass Collection, Veszprem, Hungary
The Thinking Machine. Ramon Llull and the “ars combinatoria”, CCCB, Barcelona, Spain
Mehrteiler, Stiftung für Konkret Kunst, Reutlingen, Germany
Chromatic Space. American Abstract Artists, Shirley Fiterman Art Center, New York, USA
DAM: Contemporary, DAM GALLERY Berlin, Germany
Die Kunst Der Serie, Galerie Linde Hollinger, Ladenburg, Germany
Electronic Superhighway, Whitechapel Gallery, London, UK
Software. Hard Problem, Cubitt Art Center, London (GB) 2015 Museum im Kulturspeicher, Würzburg, Germany
I Got Rhythm. Kunst und Jazz seit 1920, Kunst Museum Stuttgart, Stuttgart, Germany
Software, Hard Problem, Cubitt Art Center, London, UK
Mankind / Machinekind, Krinzinger Projekte, Vienna, Austria
DRKRM, DAM GALLERY, Berlin, Germany
Endless, Entire: American Abstract Artists, FiveMyles Art Center, Brooklyn, New York, USA
Ausstellung in progress: Neue Medien und Konkrete Kunst, Forum Konkrete Kunst Erfurt, Germany
Luminous Flux 2.0, Thoma Foundation, Art House, Santa Fe, New Mexico, USA
Art + Computer / Time, Brattleboro Museum & Art Center, Brattleboro, Vermont, USA
Rendezvous der Länder, Neuhängung der Sammlung Peter C. Ruppert, – Museum im Kulturspeicher, Würzburg, Germany
Ein Quadrat ist ein Quadrat ist ein Quadrat, Museum Ritter, Waldenbuch, Germany
AESTHETICA, 50 years of Computer Generated Art, DAM Gallery, Berlin, Germany
Short Cuts, Centre PasquArt, Kunsthaus Centre d’art, Biel, Switzerland
RAM Rethinking Art & Machine, Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada
How to Construct a Time Machine, MK Gallery, Milton Keynes, UK
American Abstract Artists 75th Anniversary Print Portfolio, Vanderbilt University Fine Arts Gallery, Nashville, Tennesse, USA
Perspectives on Archeology: From Modernity to Present Day, D&F Contemporary, New York, New York, USA
Konkret, Milan Dobes Museum, Bratislava, Slovak Republic
Die Kunst des Weglassens, Neue Sächsische Galerie, Museum für zeitgenössische Kunst, Chemnitz, Germany
Luminous Flux, Digital and Geometric Art from the Thoma Foundation, Art House, Santa Fe, New Mexico, USA
Pencil / Line / Eraser, Carroll / Fletcher Gallery, London, UK
Common Ground: Earth, Borusan | Contempory, Istanbul, Turkey
//the_ART_of_DATA, Boulder Museum of Comtemporary Art (BMoCA), Boulder, Colorado, USA
Grazyna Kulczyk Collection. Everybody is nobody for somebody, – Fundacion Banco Santander, Madrid, Spain
No Message Whatsoever: Frieder Nake and Friends, DAM GALLERY Berlin, Germany
Zdenek Sykora: In Select Society, GAML: Galerie mesta Loun, Louny, Czech Republic
Eyeworks Festival of Experimental Cinema, including 16mm film “Cubic Limit” 1973-1974: Pioneer Works Center for Art & Innovation, Brooklyn, New York / Virginia Commonwealth University, Richmond, VA / Nightingale Cinema, Chicago, Illinois
On Abstraction III, At the Same Time, Elsewhere …- Musée d’Art Contemporain de Montréal (MACM), Montréal, Canada
American Algorists: Linear Sublime: Westside Gallery, School of Visual Arts, New York and Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, Pennsylvania
Playing with Geometry: Dimensions of Imagination, lAbyRinTh festival, Slubice, Poland
American Abstract Artists – A Selection, School of Art Gallery, Kent State University, Ohio
Light. Art. Kinetics., Museum Ritter, Waldenbuch, Germany
Digital Art (R)evolution, including historical works from the Spalter Digital Art Collection, Dedee Shattuck Gallery, Westport, Massachiusetts
B.A.B.E., Immanance, Espace d’Art Contemporaine, Paris, France
Mathematical Rythmes, Boston Cyberarts Gallery, Boston, Massachiusetts
Zeitzünder, DAM GALLERY Frankfurt, Germany
ArtBasel, Atelier- Editions Fanal, Hall 2.1/Q3, Basel, Switzerland
Jubiläumsfeier: 10 Jahre Galerie Bernd A. Lausberg, Galerie Lausberg, Düsseldorf, Germany
1982- 2012, 30 Jahre Konkrete Kunst, Sammlung Grauwinkel, Vasarely Museum, Budapest, Hungary
Art Brussels 31, Carroll/Fletcher Gallery London, UK
Art Karlsruhe, Galerie Linde Hollinger, Ladenburg, Germany
Back to Back, DAM GALLERY Frankfurt, Germany
Meine Wunderkammer, DAM GALLERY Berlin, Germany
Position konkret, K16 am Rhein, Duisburg, Germany
Chance as Strategy, Vasarely Museum, Budapest, Hungary
ArtBo, Art fair Bogota, Columbia, Gallery Carroll/Fletcher, London, UK
Art Platform- Los Angeles, Art fair, Santa Monica, Calif, bitforms gallery, New York
Hot Cold Cool, Art Museum at the University of Memphis, USA
ArtRio, Art fair in Rio de Janeiro, Brasilien, Gallery Carroll/Fletcher, London, UK
Herbst.Zeit.Lose, Auktionsausstellung, Gesellschaft für Kunst und Gestaltung, Bonn, Germany
Aufbruch- Malerei und realer Raum, Museum im Kulturspeicher, Würzburg, Germany
Visionary Collection Vol.18: The artist’s house, Haus Konstruktiv, Zürich, Switzerland
gruppe.konket, Galerie Wack, Kaiserslautern, Germany
Pulse Miami art fair, bitforms gallery, New York
Think Line 2, DAM GALLERY Berlin, Germany
notConcrete, Black Box Gallery, Copenhagen, Denmark
Geometies oft he Sublime, ISEA2011 Istanbul and the Museum of Contemporary Art, Zagreb, Croatia
Konkret, Sammlung Heinz und Anette Teufel, Panstwowa Galeria Sztuki, Sopot, Poland
American Abstract Artists 75th Anniversary, OK Harris, New York
Construction in Process 1981- The Community that Came? Muzeum Sztuki Lodz, Poland
Art Cologne, Galerie Hoffmann, Friedberg, Germany
Quadratisch-Praktisch-Kunst, Sammlung Marli Hoppe- Ritter zu Gast in Schwäbisch Gmünd, Museum im Prediger, Schwäbisch Gmünd, Germany
Pulse Miami art fair, bitforms gallery, New York
Mirrors of continuous change, Ilju+ Seonhwa Gallery, Seoul, South Korea
Think Line, DAM GALLERY Cologne, Germany
Black + Brunn, Ars Electronica Festival, Galerie Brunnhofer, Linz and Black Box Gallery, Copenhagen, Denmark
100 Jahre Konkrete Kunst, Kunsthalle Rehau- Art, Rehau, Germany
Immer in Bewegung, Sammlung Marli Hoppe Ritter, Mannheimer Kunstverein, Germany
American Abstract Artists, Aragonese Castle, BAU Institute, Otranto, Italy
E- volve, DAM GALLERY Cologne, Germany
Digital Pioneers, Victor & Albert Museum, London, UK
RECONNAITRE, Museum Paksi Keptar, Paks, Hungary
KONKRET, Sammlung Heinz und Anette Teufel, Kunstmuseum Stuttgart, Germany
eARTS BEYOND, Shanghai International Gallery Exhibition of Media Art, Shanghai
L’OBLIQUE, un regard sur la géométrie contemporaine, Musée du Chateau de Montbéliard, Montbéliard, France
ART AND ELECTRONIC MEDIA, bitforms gallery New York
REGARD 6: “Quand la géométrie devient Art”, Espace de l’Art Concret, Mouans-Sartoux, France
GAMES.noGAMES, Gesellschaft für Kunst und Gestaltung Bonn, Germany
ARTWARE 5, Galeria ICPNA, Lima, Peru
Imaging by Numbers, Block Museum of Art, Evanston, Illinois
Algorithms, Block Museum, Northwestern University, Evanston, Illinois
Sammlung Gutmann, Stiftung für konstruktive und konkrete Kunst, Zürich, Switzerland
Conceptions Generated, Projex-mtl Galerie, Montreal, Canada
15 Jahre MKK, Neuhängung im Museum für Konkrete Kunst, Ingolstadt, Germany
Ex Machina – Frühe Computergrafik bis 1979, Kunsthalle Bremen, Germany
Der Zweite Blick, Stiftung für Konkrete Kunst, Reutlingen, Germany
White & Black, Vasarely Museum, Budapest, Hungary
L’Abstraction Géométrique, Château de Tours, France
BIT-International, Neue Galerie Graz, Austria
The Algorists, DAM GALLERY Berlin, Germany
Feedback, Laboral Centro de Arte, Gijon, Spain
Die Neuen Tendenzen, Leopold-Hoesch-Museum, Düren, Germany
ARCO, Madrid Art fair, bitforms Gallery, New York
Ausgerechnet… Mathematik und Konkrete Kunst, Museum im Kulturspeicher, Würzburg, Germany
Cybernetic Sensibility, Daelim Contemporary Art Museum/bitforms gallery, Seoul, South Korea
20th Century Computer Art, Beginnings + Developments, Tama Art University Museum, Tokyo, Japan
Autour Du Blanc, Galerie Lahumière, Paris, France
Köln art.fair 06, DAM GALLERY Berlin, Germany
Bewegung im Quadrat, Museum Ritter, Waldenbuch, Germany
Die Neuen Tendenzen, Museum für Konkrete Kunst, Ingolstadt, Germany
Strictly Geometrical, Wilhelm-Hack-Museum, Ludwigshafen, Germany
[ddaa] 2006 – The five nominees, DAM GALLERY Berlin, Germany
ARCO, Madrid Art fair, bitforms Gallery, New York
Au-Tour de la Géométrie, ProjexMtl Galerie, Montréal, Canada
Sonic Acts XI, International Arts Festival + Conference, Amsterdam, Netherlands
Anfänge der Computergrafik, Aus der Sammlung Etzold, Städt. Museum Abteiberg, Germany
Prelude, Galerie Lahumière, Paris, France
Gallery Opening Show, bitforms-seoul, Seoul, South Korea
Eröffnungsausstellung der Sammlung Marli Hoppe Ritter, Museum Ritter, Waldenbuch, Germany
American Abstract Artists, Yellowbird Gallery, Newburgh, USA
Konkrete Kunst in Europa, Sammlung Ruppert, Museum Art Speicher, Würzburg, Germany
Papier + Metall, Galerie Wack, Kaiserslautern, Germany
Angekommen im eigenen Haus, Kunstmuseum Stuttgart, Germany
Sechzehn Sechzehn Plus, Galerie Mueller-Roth, Stuttgart, Germany
The Algorithmic Revolution, Zur Geschichte der interaktiven Kunst, ZKM, Karlsruhe, Germany
Experiment Konkret, Museum für Konkrete Kunst, Ingolstadt, Germany
Scratch Code, bitforms Gallery, New York
Sammlung Daimler Chrysler, Galerie der Stadt Sindelfingen, Germany
Digital Move, Software screening at the Sony Center, Berlin, Germany
Pour an Art Concret, Château de Mouans-Sartoux, France
Digital Selection, Schick Art Gallery, Skidmore College, Saratoga Springs, New York
Integrating the Digital Consciousness, Deborah Colton Gallery, Houston, Texas
Hubertus Schoeller Stiftung “…stets konkret”, Leopold Hoesch-Museum, Düren, Germany
25 Jahre Wilhelm-Hack-Museum — 25 Jahre Sammeln, Ludwigshafen, Germany
Letzte Ausstellung der Galerie Schoeller – ein Rückblick als Stiftung, Galerie Storms, Düsseldorf, Germany
Wege zur Abstraktion II, FORM & STRUKTUR, Kunstverein Schloss Plön, Germany
László Vass Collection, Gallery of Modern Art, Veszprém, Hungary
Sammlung Holze – Konkrete Kunst, Von Der Heydt-Museum, Wuppertal, Germany
Group-Show, Gutmann Galeria, Budapest, Hungary
La Rigueur de Hasard, Galerie Lahumière, Paris, France
Abstract Dilemma, American Abstract Artists, Allentown, New Jersey
15 variations sur un même thème, Château de Mouans-Sartoux, France
DAM, Lady Margarete Hall College, London, UK
Pioneers of Digital Art, DAM @ Unit 2, Guildhall University, London, UK
Konstuktiv-Konkrete Kunst, Josef Albers Museums – Quadrat, Bottrop, Germany
Relationen, Galerie Wack, Kaiserslautern, Germany
Ligne(s) de Conduite, Château de Mouans-Sartoux, France
8. Annual Digital Salon, School of Visual Arts, New York
Arte Contemporanea di Pforzheim, Palazzo Trissino, Vicenza, Italy
Digital 200, Digital Art Museum, Wiesbaden, Germany
Von Albers bis Paik, Stiftung für konkrete Kunst, Zürich, Switzerland
30 Jahre Sammlung Etzolde, Städt. Museum Abteiberg, Mönchengladbach, Germany
Hommage à Vordemberge-Gildewart, Kunsthalle Dominikanerkirche, Osnabrück, Germany
Geometrie als Gestalt, Neue Nationalgalerie, Berlin, Germany
Le Droit de Réver, Château de Mouans-Sartoux, France
Immerzeit II, Forum Konkreter Kunst, Erfurt, Germany
Pioneering Artists, Siggraph, Orlando, Florida
Movement – Bewegung, European Art Concrete, Berlin, Germany
Geometric Abstraction 1937-1997, Snyder Fine Art, New York
Magie der Zahl, Staatsgalerie Stuttgart, Germany
Zeichnungen, Galerie Wack, Kaiserslautern, Germany
Zeichnen Konkret, Galerie St. Johann, Saarbrücken, Germany
Immerzeit, 10 Jahre, ACP Galerie, Zürich, Switzerland
Works on Paper, Space 504, New York
Creativity & Cognition II, Loughborough, UK
In Teilen, Stiftung für Konkrete Kunst, Reutlingen, Germany
Reliefs et Decoupe, Galerie Lahumière, Paris, France
Reconstructivism, New Geometric Paintings, Curated by Peter Frank, Space 504, New York
Black & White I, Galerie Reckermann, Cologne, Germany
Layzlo Moholy-Nagy: Idee und Wirkung, Kunsthalle Bielefeld, Germany
L’art Concrete Aujourd`hui, Château de Mouans-Sartoux, France
Aspects Actuels de la Mouvance Construite, Musée Royal des Beaux-Arts, Antwerp, Belgium
Vue du Collectionneur, Espace de l’Art Concret, Château de Mouans-Sartoux, France
30×30, Wilhelm-Hack-Museum, Ludwigshafen, Germany
Konstruktiv-Konkret, Kunstverein Wolfsburg, Wolfsburg, Germany
Aspects Actuels de la Mouvance Constuite, Musée Beaux-Arts, Verviers, Belgium
Output, 20 Jahre Galerie Mueller-Roth, Stuttgart, Germany
Konstruierte Unregelmässtigkeit, Galerie Schoeller, Düsseldorf, Germany
Calculated Images, Robert Hull Fleming Museum, Burlington, Vermont
Regard Multiple, Musée National de l’Art Moderne, Paris, France
Zufall als Prinzip, Wilhelm-Hack-Museum, Ludwigshafen, Germany
3. Emerging Expression Biennale, The Bronx Museum of the Arts, New York
Preisträger der Camille-Graeser-Stiftung Zürich – Böhm, Brand, Mohr, Galerie Teufel Cologne, Germany
Europe 90, Centro Culturale Sincron, Brescia, Italy
Universal Progression, Manezh, Moscow, Russia
Aus dem Würfel Museum, Keom, Karl-Ernst-Osthaus Museum, Hagen, Germany
Gedanken -, Galerie Mueller-Roth, Stuttgart, Germany
Simposium de Arte Sistematica y Constructiva, Museo La Reina Sofia, Madrid, Spain
Konkrete und kinetische Kunst, Sammlung Etzold, Moers, Germany
Constructivism versus Computer, WTC, Rotterdam, Netherlands
Seven Artists Using the Computer, University of Connecticut, Storr, Connecticut
Crash, Wright Museum of Art, Univ. of Wisconsin, Madison, Wisconsin
Null-Dimension, Galerie New Space, Fulda, Germany
Computers and Art, IBM Gallery, New York
4. Biennale D’Arte Contemporanea, Comune di Marostica, Italy
Artists in the Computer Age, MIT List Visual Arts Center, Cambridge, Massachiusetts
Mathematik in der Kunst der letzen 30 Jahre, Wilhem-Hack-Museum, Ludwigshafen, Germany
Kalkulierte Kunst, Galerie Teufel, Cologne, Germany
Digital Vision, Everson Museum of Art, Syracuse, New York
The Computer as an Art Tool, Hurlbutt Gallery, Greenwich, Connecticut
Konkret VI, Kunsthaus Nürnberg, Germany
Images de Futur, Vieux Port, Montreal, Canada
Ein Zeitdokument, Sammlung Etzold, Abteiberg, Germany
Digiart, Szepmuveszeti Muzeum, Budapest, Hungary
Von zwei Quadraten, Wilhelm-Hack-Museum, Ludwigshafen, Germany
Les Vingt ans du Musee a Travers a Collection, Musée d’Art Contemporain de Montreal, Canada
Vom Klang der Bilder, Staatsgalerie Stuttgart, Germany
Computer Generated Images, William Patterson College, New Jersey
A Point – 1984, Galerie Mueller-Roth, Stuttgart, Germany
Mathematics and Twentieth Century Art, Baruch College, New York
Die Sprache der Geometrie, Kunstmuseum Bern, Bern, Switzerland
Neue Konkrete Kunst in Deutschland, Galerie Schoeller, Düsseldorf, Germany
The Computer and it Influence on Art and Design, Sheldon Memorial Art Gallery, Lincoln, Nebraska
Zeichnen Konkret, Pfalzgalerie, Kaiserslautern, Germany
Electra, Musée d’Art Moderne de la Ville de Paris, Paris, France
Die Handzeichnung der Gegenwart II, Staatsgalerie Stuttgart, Germany
Deutsche Zeichnung der Gegenwart, Museum Ludwig, Cologne, Germany
Constructivism and the Geometric Tradition  2. Wanderausstellung der McCrory Collection
Ars + Machina I, Institut Franco-Americain, Rennes, France
Konstukcja W Procesie, Lodz, Poland
Constructivism and the Geometric Tradition, Wanderausstellung der McCrory Collection,
Museum of Fine Arts, Dallas, Texas
Museum of Modern Art, San Francisco, California
Museum of Contemporary Art, La Jolla, California
Printed Art, A View of two Decades, Museum of Modern Art, New York
Konstruktion, Struktur, Konstellation, Galerie Teufel, Cologne, Germany
Cybernetic Symbiosis, University of Berkeley, California
Künstlerbücher, Galerie Lydia Megert, Bern, Switzerland
Ariste et Ordinateur, Centre Suedois, Paris, France
Constructivism and the Geometric Tradition, Wanderausstellung der McCrory Collection, Albright-Knox Art Gallery, Buffalo, New York
Recherche et Creation, Centre Pompidou, Paris, France
Numerals, Leo Castelli Gallery, New York
Lettres, Signes, Ecritures, Malmö Konsthall, Sweden
System und Zufall, Landespavillion, Stuttgart, Germany
Art Generatif, Galerie Gilles Gheerbrant, Montreal, Canada
12. BIENNALE, Ljubljana, Slovenia
World Print Competition 77, Museum of Modern Art, San Francisco, California
Decada 70, São Paulo, Brazil
03 23 03, Montreal(BR) GRAFIK BIENNALE, Vienna, Austria
The Museum of Drawers, Wanderausstellung
Anamorphoses, Musée des Arts Decoratifs, Paris, France
Systemes et Series, Musée des Beaux-Arts, Besançon, France
Grafik Biennale, Vienna, Austria
ICCH/2, Museum of Modern Art, Los Angeles, California
11. Biennale, Ljubljana, Slovenia
The Western Australian Art Gallery, Perth, Australia
Cybernetic Artrip, Tokyo, Japan
Le Musee Cybernetique, Musée d’Art Contemporain, Montreal, Canada
Instituto Alemao, Lisboa, Portugal
Miedzynarodowe Biennale Grafiki, Krakow, Poland
10. Biennale, Ljubljana, Slovenia
Programm – Zufall – System, Städt.Museum Mönchengladbach, Germany
World Print Competition of Modern Art, San Francisco, California
Sigma, Musée des Beaux-Arts, Bordeaux, France
Grenzgebiete der Kunst, Städt. Museum Schwäbisch Gmünd, Germany
Tendencije-5, Zagreb, Croatia
Computerkunst und Musikalische Texturen, Staatsgalerie Stuttgart, Germany
Impulsos, Instituto Alemán, Madrid, Spain
Buchleiter/Mohr/Mürle/Treiber, Reuchlinhaus Pforzheim, Germany
L’Art et les Technologies Industrielles, Vitry-sur-Seine, France
Arte y Cibernetica, Universidad de Buenos Aires, Argentina
Arteonica, Universidade de São Paulo, Brazil
Kunstzone, München, Germany
2. Biennale, Nürnberg, Germany
Generacion Automatica de Formas Plasticas, Universidad de Madrid, Madrid, Spain
Computer Graphics 70, Uxbridge University, London, UK
Salon de Mai, Musée d’Art Moderne de la Ville de Paris, France
Intermedia, Heidelberg, Germany
Salon Realites Nouvelles, Musée d’Art Moderne de la Ville de Paris, France
Poesie Visuelle, Galerie Sincron, Brecscia, Italy
Sechs Pforzheimer Künstler, Reuchlinhaus Pforzheim, Germany
Concordancia de Arte, Galeria Juana Mordo, Madrid, Spain
Divergenzen 66, Galerie Lauter, Mannheim, Germany
Blanc et Noir, Galerie Paul Facchetti, Paris, France

Manfred Mohr: transit-code / algorithmic modulations, Galerie Charlot, Paris 2017, DAM, Berlin 2018, bitforms gallery, New York 2019, Zum Kleinen Markgräflerhof, Basel, 2020.
Immaterial / Re-material: A Brief History of Computing Art, UCCA Beijing, 2020/21, UCCA Center for Contemporary Art and Culture and Art Publishing House, Beijing 2020.
Christiane Paul, Digital Art Now: Histories of (IM)Materialities, International Journal for Digital Art History, Issue 5, pp 2.02-2.11, Sept. 4, 2020.
In Honor of Heinz Teufel, Catalog, Milan Dobes Museum, Ostrava, Czech Republic, 2020.
Ernest Edmonds, Art and Code: Programming as a Medium, in: Interactivity, Game Creation, Design, Learning and Innovation, Brooks, Anthony u.a. (Eds.) pp. 3-12, Springer, 2019.
Michael Müller, Würdigung eines grossen Künstlers: Zwei Bände über Ausstellungen und Arbeiten von Manfred Mohr, Pforzheimer Zeitung, 28 Aug. 2020.
Catherine Mason, Digital and network art in lockdown: how can we be creative in new ways?, Studio International, May 29, 2020.
Firat Arapoğlu, Manfred Mohr: A Digital 1.0 Perspective in Art History, Borusan Contemporary, 17 Feb. 2020.
Vom Rhythmus zum Algorithmus / From Rhythm to Algorithm, Exhibition Catalog, Museum Pforzheim Gallery, Pforzheim Germany, curated by Regina M. Fischer.
Catalog: Manfred Mohr, Artificiata II, works from 2012-2015, bitforms gallery, New York, USA.
Catalog: Manfred Mohr, Pioneer of Algorithmic Art, Simons Center for the Arts, SCGP, Stony Brook, USA.
Der Algorithmus des Manfred Mohr. Texte 1963-1979, catalog for exhibit June-Sept 2013, ZKM Karlsruhe, Germany.
Manfred Mohr, Künstler, Kritisches Lexicon der Gegenwartkunst, Der Kunsthandel Verlag, Neu-Isenburg, Germany.
Manfred Mohr: artist book: Artificiata II, OEI Editor Stockholm, Sweden.
Manfred Mohr in Evolving Geometries: Line, Form, Color Center for the Arts at Virginia Tech, Blacksburg, USA.
Artificiata II, Galerie Mueller-Roth Stuttgart, DAM Gallery Berlin, Germany.
Manfred Mohr: one and zero Carroll/Fletcher GalleryText by Alistair Rider, Scripted Variations November 16, 2012 – December 20, 2012, 24 x 17 cm – 64 pages.
spot on #2, manfred mohr color, form, and data continuity, Borusan | Contemporary Istanbul. Text by Dr. Necmi Sönmez, Turkish/English December 24, 2011 – April 15, 2012, 21 x 14.5cm – 16 pages.
parallelResonance DAM GALLERY Cologne Mar 19. 2011 – Apr 21. 2011.
Galerie Wack, Kaiserslautern Mar 27. 2011 – May 19. 2011.
Galerie DAM GALLERY Berlin Apr 29. 2011 – Jun 08. 2011.
bitforms Gallery New York Dec 15. 2011 – Jan 28. 2012, Date changed to: Sept. 9, 2011 – Oct. 15, 2011 28 x 24 cm – 36 pages.
klangfarben – Galerie Mueller-Roth, Stuttgart Sep. 14. 2007 – Oct. 28. 2007, 21 x 21 cm – 32 pages.
broken symmetry Kunsthalle Bremen, Bremen Apr. 24. 2007 – Jul. 1. 2007, 30 x 24 cm – 95 pages.
subsets – bitforms, New York Jan. 19. 2006 – Feb. 15. 2006.
Galerie Wack, Kaiserslautern Sep. 3. 2005 – Oct. 15. 2005, 24 x 20 cm – 24 pages.
space.color.motion Selected installation views of P777 (2002-2005) Stuttgart, Madrid, Basel, Berlin, Würzburg etc. 24 x 20 cm – 6 pages.
space.color, Museum für Konkrete Kunst, Ingolstadt 14. 10. 2001 – 11. 11. 2001.
Wilhelm-Hack-Museum, Ludwigshafen  12. 4. 2002 – 9. 6. 2002, 25 x 22 cm – 78 pages.
Algorithmische Arbeiten, Josef Albers Museum, Bottrop, 29. 03. 1998 – 03. 05. 1998, 21 x 21 cm – 66 pages.
monographie Manfred Mohr, Waser Verlag Zürich, 28 x 24 cm, 230 pages.
Laserglyphs Galerie Mueller-Roth, Stuttgart 24. 01. 1992 – 29. 02. 1992.
Galerie ACP, Zürich 12. 06. 1992 – 17.07. 1992, 28 x 24 cm – 36 pages.
Neue Arbeiten, Galerie Teufel, Köln 16. 01. 1991 – 31. 03. 1991, 20 x 20 cm – 24 pages.
Computer-Related Geometric Works Prakapas Gallery, New York, 03. 05. 1989 – 27. 05. 1989, 10 x 23 cm – 10 pages.
Arbeiten 1960-1988, Reuchlinhaus, Pforzheim10. 07. 1988 – 14. 08. 1988, 25 x 21 cm – 120 pages.
Fractured Symmetry Algorithmic Works 1967-1987 Wilhelm-Hack-Museum, Ludwigshafen, 31. 10. 1987 – 06. 12. 1987, 25 x 21 cm – 120 pages.
Divisibility III, Galerie Mueller-Roth, Stuttgart, 06. 12. 1986 – 24. 01. 1987, 21 x 26 cm – 32 pages.
Divisibility II, Galerie Teufel, Köln, 19. 01. 1985 – 19. 04. 1985, 21 x 21 cm – 36 pages.
Divisibility, Galerie Gilles Gheerbrant, Montréal, 10. 10. 1981 – 03. 11. 1981, 21 x 26 cm – 32 pages.
Werkübersicht 1965-80, Galerie Teufel, Köln, 01. 03. 1980 – 20. 04. 1980, 21 x 21 cm – 34 pages.
Dimensions, Galerie Mueller-Roth, Stuttgart, 04. 03. 1979 – 22. 04. 1979, 21 x 26 cm – 32 pages.
Generative Bilder und Zeichnungen 1977-78, Galerie Teufel, Köln, 07. 04. 1978 – 09. 06. 1978, 21 x 15 cm – 16 pages.
Cubic Limit II Dessins Génératifs, Galerie Weiller, Paris, 18. 10. 1977 – 19. 11. 1977, 21 x 26 cm – 32 pages.
Cubic Limit, Galerie Weiller, Paris, (Le Monde article by Conil Lacoste) 29. 05. 1975 – 28. 06. 1975, 21 x 26 cm – 24 pages.
Dessins / Drawings /Zeichnungen / Dibujos, Galerie Weiller, Paris, 13. 03. 1974 – 13. 04. 1974.
Galerie Gilles Gheerbrant, Montréal, 24. 04. 1974 – 22. 05. 1974, 24 x 21 cm – 24 pages.
Computer Graphics Une esthétique programmée ARC – Musée d’Art Moderne de la Ville de Paris (catalog and show) 11. 05. 1971 – 06. 06. 1971, 22 x 20 cm – 48 pages.
suite visuelle Artificiata I, Edition Agentzia, Paris, 20 x 12 cm – 38 pages.
signes géométrique Galerie Templon, Paris, (see article by Catherine Millet), 05. 11. 1968 – 30. 11. 1968 , 21 x 21 cm – 12 pages.

COLLECTIONS (selection)
Centre Pompidou, Paris
ZKM | Center for Art and Media, Karlsruhe
Whitney Museum of American Art, New York
Joseph Albers Museum, Bottrop
Mary and Leigh Block Museum of Art, Chicago
Victoria and Albert Museum, London
Ludwig Museum, Cologne
Wilhelm-Hack-Museum, Ludwigshafen
Kunstmuseum Stuttgart, Stuttgart
Stedelijk Museum, Amsterdam
Museum im Kulturspeicher, Würzburg
Kunsthalle Bremen, Bremen
Musée d’Art Moderne et Contemporain, Strasbourg
Daimler Art Collection Berlin / Stuttgart
Musée d’Art Contemporain, Montreal
The Tel Aviv Museum of Art, Tel Aviv
Espace D’Art Concret (EAC), Mouans- Sartoux
Museum für Angewandte Kunst, Cologne
Borusan Art Collection, Istanbul
McCrory Collection, New York
Esther Grether Collection, Basel
Thoma Art Foundation, Chicago
Fondation Guy & Myriam Ullens, Geneva

SUMMER SPLASH 6, DAM BERLIN, 15. July- 15. August 2020
TRANSIT-CODE, DAM Berlin, 22 September – 3 November 2018
VISUELL, MUSIKALISCH, DAM Berlin, 11. June – 30. July 2016
CODE + POETRY, DAM Berlin, 8 April – 4 June 2016
DRKRM, DAM Berlin, 31 October 2015 – 16 January 2016
AESTHETICA, DAM Berlin, 29 May – 1 August 2015
NO MESSAGE WHATSOEVER: FRIEDER NAKE & FRIENDS, DAM Berlin, 16 November 2013 – 25 January 2014
ZEITZÜNDER, DAM GALLERY Frankfurt, 9. November 2013 – 1. Februar 2014
ARTIFICIATA II, DAM Berlin, 14 September – 9 November 2013
BACK TO BACK, DAM Frankfurt, 20 February – 4 May 2013
MEINE WUNDERKAMMER, DAM Berlin, 1 December 2012 – 26 January 2013
THINK LINE 2, DAM Berlin, 19 November 2011 – 21 January 2012
PARALLEL RESONANCE, DAM Berlin, 30 April – 8 June 2011
PARALLEL RESONANCE, DAM Köln, 23. March – 21. April 2011
THINK LINE, DAM Cologne, 4 September – 30 October 2010
E-VOLVE, DAM Cologne, 24 April – 24 June 2010
KLANGFARBEN, DAM Berlin, 27 September – 15 November 2008
THE FIVE NOMINEES OF THE d.velop digital art award 2006 [ddaa], DAM Berlin, 23 June – 6 September 2006
THE ALGORISTS, DAM Berlin, 20 March – 14 May 2007
SPACE.COLOR.MOTION., DAM Berlin, 4 May – 22 June 2004